Search results
Results from the WOW.Com Content Network
The statue seen from behind has lion-like ears, a crown on the head, long hair, an ankh in each hand, and ancient Egyptian dress. The statue is named Taweret, [3] the Egyptian god of fertility and life. At the base of the statue is a secret chamber in which Jacob resides. All four elements of earth, water, fire, and air are represented in this ...
The next day, "Locke" tells Ben of his plan to kill Jacob while Ben informs "Locke" of Alex's threat, to which "Locke" replies by telling Ben to kill Jacob. After arriving at Jacob's residence at the four-toed statue, the two enter and meet Jacob, who recognizes "Locke" immediately as his supernatural brother.
The pilot episode of "Lost" aired 20 years ago, ... from glimpses of a pair of skeletons to a shot of a strange four-toed-statue and blink-and-you-miss it appearances by the numbers, as if to say ...
107. The Other Woman – Season four, episode six. One of Lost’s most formulaic episodes that tries to earn our trust of Daniel and Charlotte even though we could clearly trust them all along ...
$3 million in newly minted American double eagle coins sent to the Russian Baltic Fleet, an $800,000 US Government shipment in mixed coin to the American Atlantic Fleet, and the confirmed loss of $500,000 in passenger effects (all 1909 values) were lost when the RMS Republic foundered off the coast of New England as a result of a collision.
Divers rediscovered Titanic's lost bronze "Diana of Versailles" statue, highlighting ongoing ship decay and marking a key find since its last sighting in 1986.
Richard Franklin Alpert is a fictional character played by Néstor Carbonell in the American ABC television series Lost.Alpert is introduced in the third season, specifically in a flashback of the character Juliet Burke (Elizabeth Mitchell), where he claims to be a doctor for a bioscience company called Mittelos Bioscience; he is later revealed to be a member of a native island faction called ...
Lost artworks are original pieces of art that credible sources or material evidence indicate once existed but that cannot be accounted for in museums or private collections, as well as works known to have been destroyed deliberately or accidentally or neglected through ignorance and lack of connoisseurship.