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Aeneas Flees Burning Troy, by Federico Barocci (1598). Galleria Borghese, Rome, Italy Map of Aeneas' fictional journey. The Aeneid (/ ɪ ˈ n iː ɪ d / ih-NEE-id; Latin: Aenēĭs [ae̯ˈneːɪs] or [ˈae̯neɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans.
An epic catalogue is a long, detailed list of objects, places or people that is a characteristic of epic poetry. ... In the Aeneid, ...
Aeneas: Hero of Virgil's epic poem Aeneid, his descent into hell is a primary source for Dante's own journey. Son of Anchises, fled the fall of Troy. Inf. I, 74–75. "Father of Sylvius", journey to Hades, founder of Rome. Inf. II, 13–27. When Dante doubts he has the qualities for his great voyage, he tells Virgil "I am no Aeneas, no Paul ...
In his work Poetics, Aristotle defines an epic as one of the forms of poetry, contrasted with lyric poetry and drama (in the form of tragedy and comedy). [12] Epic poetry agrees with Tragedy in so far as it is an imitation in verse of characters of a higher type. They differ in that Epic poetry admits but one kind of meter and is narrative in form.
Mu'allaqat, Arabic poems written by seven poets in Classical Arabic, these poems are very similar to epic poems and specially the poem of Antarah ibn Shaddad; Parsifal by Richard Wagner (opera, composed 1880–1882) Pasyón, Filipino religious epic, of which the 1703 and 1814 versions are popular; Popol Vuh, history of the K'iche' people
Aristeia is also seen, to some extent, in the Aeneid, when Nisus and Euryalus leave the Trojan defences in Book 9 to slaughter the Latin captains while they sleep. [15] It also features in Book 10, when Mezentius takes the place of Turnus and strikes down all in his path: [16] it draws upon Homeric models, using a simile.
The most likely genesis for the mock-heroic, as distinct from the picaresque, burlesque, and satirical poem is the comic poem Hudibras (1662–1674), by Samuel Butler. Butler's poem describes a "trew blew" Puritan knight during the Interregnum, in language that imitates Romance and epic poetry. After Butler, there was an explosion of poetry ...
Finally, Lucan is a significant model for Silius, although Silius differs dramatically from Lucan's historical epic by his use of the divine machinery. Frederick Ahl posits that Silius construed his epic as occupying the historical and poetic midpoint between the Aeneid and the Bellum Civile, forming a trilogy of poems on Roman history. [11]