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Aeneas Flees Burning Troy, by Federico Barocci (1598). Galleria Borghese, Rome, Italy Map of Aeneas' fictional journey. The Aeneid (/ ɪ ˈ n iː ɪ d / ih-NEE-id; Latin: Aenēĭs [ae̯ˈneːɪs] or [ˈae̯neɪs]) is a Latin epic poem that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans.
Mu'allaqat, Arabic poems written by seven poets in Classical Arabic, these poems are very similar to epic poems and specially the poem of Antarah ibn Shaddad; Parsifal by Richard Wagner (opera, composed 1880–1882) Pasyón, Filipino religious epic, of which the 1703 and 1814 versions are popular; Popol Vuh, history of the K'iche' people
In the Aeneid, the list of enemies the Trojans find in Etruria in Book VII. Also, the list of ships in Book X. [2] In Ovid's Metamorphoses, the catalogue of Actaeon's dogs (Book I) and of trees (Book X). In the Völuspá, the "Dvergatal" or catalogue of dwarfs. In The Faerie Queene, the list of trees I.i.8-9 and the list of rivers IV.xii.
Aeneas: Hero of Virgil's epic poem Aeneid, his descent into hell is a primary source for Dante's own journey. Son of Anchises, fled the fall of Troy. Inf. I, 74–75. "Father of Sylvius", journey to Hades, founder of Rome. Inf. II, 13–27. When Dante doubts he has the qualities for his great voyage, he tells Virgil "I am no Aeneas, no Paul ...
The hexameter is traditionally associated with classical epic poetry in both Greek and Latin and was consequently considered to be the grand style of Western classical poetry. Some well known examples of its use are Homer's Iliad and Odyssey, Apollonius of Rhodes's Argonautica, Virgil's Aeneid, Ovid's Metamorphoses, Lucan's Pharsalia (an epic ...
Famous examples of epic poetry include the Sumerian Epic of Gilgamesh, the ancient Indian Mahabharata and Rāmāyaṇa in Sanskrit and Silappatikaram and Manimekalai in Tamil, the Persian Shahnameh, the Ancient Greek Odyssey and Iliad, Virgil's Aeneid, the Old English Beowulf, Dante's Divine Comedy, the Finnish Kalevala, the German ...
Finally, Lucan is a significant model for Silius, although Silius differs dramatically from Lucan's historical epic by his use of the divine machinery. Frederick Ahl posits that Silius construed his epic as occupying the historical and poetic midpoint between the Aeneid and the Bellum Civile, forming a trilogy of poems on Roman history. [11]
Some examples of topoi are the following: the locus amoenus (for example, the imaginary world of Arcadia) and the locus horridus (for example, Dante's Inferno); the idyll; cemetery poetry (see the Spoon River Anthology); love and death (in Greek, eros and thanatos), love as disease and love as death, (see the character of Dido in Virgil's Aeneid);