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Remix City, Volume 1 is a remix album by American R&B singer, R. Kelly & it was released on November 15, 2005, through Jive Records and Zomba Label Group.Unlike Kelly's first greatest hits release, The R. in R&B Collection, Vol. 1 (2003), this album features remixed versions of his greatest hits.
Kelly released three versions of "Bump n' Grind": the original album version and two remixes. The original LP version was made available for airplay on urban and Top 40 pop radio stations alike at first, but eventually the "Old School" remix was issued shortly and gained massive airplay on urban, adult R&B/soul and rhythmic radio stations ...
Rhythm and blues - Wikipedia
In 1960, Billboard published the Hot R&B Sides chart ranking the top-performing songs in the United States in rhythm and blues (R&B) and related African American-oriented music genres; the chart has undergone various name changes over the decades to reflect the evolution of such genres and since 2005 has been published as Hot R&B/Hip-Hop Songs. [1]
A global, multilingual list of rhythm and blues and contemporary R&B musicians recognized via popular R&B genres as songwriters, instrumentalists, vocalists, mixing engineers, and for musical composition and record production.
From November 30, 1963 to January 23, 1965 there was no Billboard R&B singles chart. Some publications have used Cashbox magazine's stats in their place. No specific reason has ever been given as to why Billboard ceased releasing R&B charts, but the prevailing wisdom is that the chart methodology used was being questioned, since more and more white acts were reaching number-one on the R&B chart.
A slow jam is music with rhythm and blues and soul influences. Slow jams are commonly R&B ballads or downtempo songs, and are mostly soft-sounding with heavily emotional or romantic lyrical content. The earliest known use of the term is the 1983 Midnight Star recording "Slow Jam" on their album No Parking on the Dance Floor .
MTV.com said "I Care 4 U", is "a slice of old-school R&B; that displays Aaliyah's sultry, fragile vocals to good advantage". [17] Russell Baillie from The New Zealand Herald described the song as "soul-sass" and felt that "Aaliyah's voice weaves through the sparse but punchy arrangements with a mix of sultriness". [18]