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On the Origin of Species (or, more completely, On the Origin of Species by Means of Natural Selection, or the Preservation of Favoured Races in the Struggle for Life) [3] is a work of scientific literature by Charles Darwin that is considered to be the foundation of evolutionary biology. It was published on 24 November 1859. [4]
For example, in the Chauvet-Pont-d'Arc Cave (circa 30,000 BC), at least 13 different species have been identified. [2] In one prehistoric cave (circa 15,000 BC), there is a drawing of a mammoth with a darkened area where the heart should be. If this is indeed the intention of the illustration, it would be the world's first anatomical ...
Interest in the relationship between Darwinism and the study of literature began in the nineteenth century, for example, among Italian literary critics. [2] For example, Ugo Angelo Canello argued that literature was the history of the human psyche, and as such, played a part in the struggle for natural selection, while Francesco de Sanctis argued that Emile Zola "brought the concepts of ...
The Lancet called it "proverbial, much quoted or adapted, familiar to multitudes who have never seen its original version or heard of its maker". [2] The image has become better-known than the science behind it. [3] With regard to the way the illustration has been interpreted, the anthropologist and author of the section, F. Clark Howell ...
Edward Hitchcock's fold-out paleontological chart in his 1840 Elementary Geology. Although tree-like diagrams have long been used to organise knowledge, and although branching diagrams known as claves ("keys") were omnipresent in eighteenth-century natural history, it appears that the earliest tree diagram of natural order was the 1801 "Arbre botanique" (Botanical Tree) of the French ...
The Origin of Species was translated into many languages, becoming a staple scientific text attracting thoughtful attention from all walks of life, including the "working men" who flocked to Huxley's lectures. [168] Darwin's theory resonated with various movements at the time and became a key fixture of popular culture.
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Kunstformen der Natur was influential in early 20th-century art, architecture, and design, bridging the gap between science and art. In particular, many artists associated with Art Nouveau were influenced by Haeckel's images, including René Binet , Karl Blossfeldt , Hans Christiansen , and Émile Gallé .