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Impression, Sunrise (French: Impression, soleil levant) is an 1872 painting by Claude Monet first shown at what would become known as the "Exhibition of the Impressionists" in Paris in April, 1874. The painting is credited with inspiring the name of the Impressionist movement. Impression, Sunrise depicts the port of Le Havre, Monet's
List of paintings created during 1858–1871 1872–1878 1878–1881 1881–1883 1884 1884–1888 1888 1888–1898 1899–1904 1900–1926 This is a list of works by Claude Monet (1840–1926), including all the extant finished paintings but excluding the Water Lilies, which can be found here, and preparatory black and white sketches. Monet was a founder of French impressionist painting, and ...
Impression, Sunrise is the crown jewel in the collection of Paris’s Musée Marmottan Monet, which lent it for this momentous show, and the painting packs just as much of a punch now as it did ...
Impression, Sunrise by Claude Monet, 1873. Louis Leroy's review was the first use of the term "Impressionists", a term that would come to refer to the artists who painted in style of Impressionism . Leroy's use of the word "impression" derived from the title of Claude Monet's painting Impression, Sunrise .
Musée Marmottan Monet (English: Marmottan Museum of Monet) is an art museum in Paris, France, dedicated to artist Claude Monet. The collection features over three hundred Impressionist and Post-Impressionist paintings by Claude Monet, including his 1872 Impression, Sunrise .
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience.
[6] [7] In addition to Monet, works by Cézanne, Degas, Morisot, Pissarro, Renoir, and Sisley were displayed. The movement's name grew out of this exhibit, which was harshly critiqued by Louis Leroy. Mocking Monet’s Impression, Sunrise, Leroy used the word "impression" to describe these artists' work, a name that stuck with them moving ...
Brownjohn, John and Stephan Koja and Galerie Osterreichische, Claude Monet. New York: Prestel, 1996. Koja, Stephan and Katja Miksovsky, Claude Monet: the Magician of Colour. New York: Prestel, 1997. National Museum Wales, "San Giorgio Maggiore by Twilight Breaking Dawn," . Newcomb, Molly. "San Giorgio Maggiore at Dusk: Claude Monet." (2 April 2012)