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A Piece of PI for Solo Violin (2008) Ruggiero Ricci "Jeux interdits" Romance (arranged: from Anonimous) "Recuerdos de la Alhambra" for violin solo (transcription from: Francisco Tarrega) "La Cumparsita", Tango for solo violin (transcription from: Gerardo Matos Rodríguez / arranged by Vicente Zito / edited by Ricci) George Rochberg
Methods that establish the key for a particular piece can be complicated to explain and vary over music history. [citation needed] However, the chords most often used in a piece in a particular key are those that contain the notes in the corresponding scale, and conventional progressions of these chords, particularly cadences, orient the listener around the tonic.
The solo violin enters early in the movement playing fairly rapid arpeggios that gradually extend to encompass the full range of the instrument. There follows a brief repeat of the opening chord motif, then the brass section enters with a pattern of tightly harmonized chords from which the violin draws a high melody. The piece then plunges into ...
The instrumentalist improvising a solo may use scales that work well with certain chords or chord progressions, according to the chord-scale system. For example, in rock and blues soloing, the pentatonic scale built on the root note is widely used to solo over straightforward chord progressions that use I, IV, and V chords (in the key of C ...
The key note, or tonic, of a piece of music is called note number one, the first step of (here), the ascending scale iii–IV–V. Chords built on several scale degrees are numbered likewise. Thus the chord progression E minor–F–G can be described as three–four–five, (or iii–IV–V).
Of Franz Schubert's two symphonies in the key, the first is nicknamed the "Little C major" and the second the "Great C major". Scott Joplin's "The Entertainer" is written in C major. Many musicians have pointed out that every musical key conjures up specific feelings. [5] This idea is further explored in a radio program called The Signature Series.
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Great Mass in C minor, K. 427 (417a) Piano Concerto No. 24, K. 491) Maurerische Trauermusik K. 477 (479a) Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte, K. 517; Adagio and Fugue in C minor. K. 546; Wind Serenade in C minor. K. 388 (384a) Fantasy in C minor for violin and piano, K. 396 (385f) Piano Sonata in C minor, K. 457