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The first statues and busts of the Buddha were made in the region around Mathura or Gandhara in the second or third century CE. [4] [5] Many statues and busts exist where the Buddha and other bodhisattvas have a mustache. Seated Buddha, Gandhara, 1st–2nd century CE, Tokyo National Museum Buddha depicted with urna, gilt bronze, 14th century
Some Mahayana sources use the sky as a simile for the Dharmakaya and for emptiness. [5] [6]The Trikāya doctrine sees Buddhahood as composed of three bodies, components or collection of elements (kāya): the Dharma body (the ultimate aspect of Buddhahood), the body of self-enjoyment (a divine and magical aspect) and the manifestation body (a more human and earthly aspect).
The 31 identified body parts in pātikūlamanasikāra contemplation are the same as the first 31 body parts identified in the "Dvattimsakara" ("32 Parts [of the Body]") verse (Khp. 3) regularly recited by monks. [18] The thirty-second body part identified in the latter verse is the brain (matthalu ṅ ga). [19]
It is also a common term in later texts concerning the consecration of Buddha images. [17] [18] In these later texts, which are often descriptions of kammaṭṭhāna (meditation methods), different parts of the body of the Buddha are associated with certain spiritual attainments, and the practitioner determines to pursue these attainments himself.
Most frequently preserved parts of Buddha's body are tooth and bone, because these parts would remain after the rest of the body decayed. (But note that the body of the Buddha was cremated) The relic of the tooth of the Buddha in Sri Lanka is the most notable site where a relic is visibly preserved, but hundreds of such sites were created, in ...
' nine-phase pictures ') [1]: 24 and became related to aesthetic ideas of impermanence. [ 2 ] : 295 Early instances of the nine stages of decay can be found in the Satipaṭṭhāna Sutta , [ 3 ] (–20 BC) the "Sutra on the Samādhi Contemplation of the Oceanlike Buddha," and the "Discourse on the Great Wisdom" ( Mahaprajnaparamitita-sastra ...
The image of Buddhas started to emerge from the first century CE in North India, developed in Gandhara and Mathura.The art of Gandhara was influenced by Ancient Greek art, leading to the development of Greco-Buddhist art with anatomically well-proportioned and realistic figure of the Buddha.
The new "Sarnath image type" or "Gupta period Buddhist image" differs from earlier Buddha images, such as those in Greco-Buddhist art, in a number of respects: the gaze is lowered, the clinging robes disclose no male genital bulge, the robe lacks folds, and there are different body proportions. [2]
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