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X-ray of painting showing original pose. Young Girl Reading, or The Reader (French: La Liseuse), is an 18th-century oil painting by Jean-Honoré Fragonard.It depicts an unidentified girl seated in profile, wearing a lemon yellow dress with white ruff collar and cuffs and purple ribbons, and reading from a small book held in her right hand.
The kits were invented, developed and marketed in 1950 by Max S. Klein, an engineer and owner of the Palmer Paint Company in Detroit, Michigan, United States, and Dan Robbins, a commercial artist. When Palmer Paint introduced crayons to consumers, they also posted images online for a "Crayon by Number" version. A completed paint-by-number painting
The Girlhood of Mary Virgin by Rossetti (1849), Tate Britain.. Rossetti deliberately used a limited colour range for this oil painting. The predominance of white, symbolic of virginity, is complemented by vibrant blue (a colour associated with Mary, though notably not used in his The Girlhood of Mary Virgin in 1849) and red, for Christ’s blood.
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The painting measures 42 by 22.25 inches (106.7 cm × 56.5 cm) and is dominated by tones of blue and red. A large U.S. flag is depicted in the foreground, while a number of smaller flags fill the surrounding space and line Fifth Avenue into the background. Several dark figures in the middle distance hold umbrellas.
Caravaggio's painting, of which two versions exist, shows a well-groomed, vain young man having his palm read by a Romani woman. The wily Romani woman is guilty of deceit, however: her seductive smile is false, and because the young man has been charmed off his feet by her beauty, he does not notice that she has meanwhile slipped the ring from his finger. [1]
Woman Reading (La Liseuse), 1895, oil on board, 61.5 x 48 cm, Le Cateau-Cambrésis, Musée Matisse. Woman Reading (La Liseuse) is an oil-on-board painting executed in 1895 by the French artist Henri Matisse. [1] It is displayed at the Musée Matisse, in Le Cateau-Cambrésis, having been on loan from the Centre Pompidou since 2002. [2]
Portrait of a Creole Woman with Madras Tignon (c. 1837) is an oil painting traditionally attributed to George Catlin.It is best known from a c. 1915 copy made by Frank Schneider, an art restorer working for the Louisiana State Museum.
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