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Celtic knots (Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art.
A cross-slab—a rectangular slab of rock with a cross carved in relief on the slab face, with other pictures and shapes carved throughout. Organised into three Classes, based on the period of origin. Insular art or the Hiberno-Saxon style, from the 6th to 9th centuries. The fusion of pre-Christian Celtic and Anglo-Saxon metalworking styles ...
The Aberlemno I roadside symbol stone, Class I Pictish stone with Pictish symbols, showing (top to bottom) the serpent, the double disc and Z-rod and the mirror and comb. The Picts were a group of peoples in what is now Scotland north of the Firth of Forth, in the Early Middle Ages. [1]
The symbol features three hares or rabbits chasing each other in a circle. Like the triskelion, [8] the triquetra, and their antecedents (e.g., the triple spiral), the symbol of the three hares has a threefold rotational symmetry. Each of the ears is shared by two hares, so that only three ears are shown.
The Red Hand of Ulster (Irish: Lámh Dhearg Uladh) is a symbol used in heraldry [1] to denote the Irish province of Ulster and the Northern Uí Néill in particular. It has also been used however by other Irish clans across the island, including the ruling families of western Connacht (i.e. the O'Flahertys and MacHughs) and the chiefs of the Midlands (e.g. O'Daly, O'Kearney, etc.).
The Class I Dunnichen Stone, with Pictish symbols including the "double disc and Z-rod" at centre, and "mirror and comb" at the bottom.. The purpose and meaning of the stones are only slightly understood, and the various theories proposed for the early Class I symbol stones, those that are considered to mostly pre-date the spread of Christianity to the Picts, are essentially speculative.
Since the Celtic Revival, the ringed cross became an emblem of Celtic identity, in addition to its more traditional religious symbolism. [6] Modern interest in the symbol increased because of Alexander and Euphemia Ritchie. The two worked on the island of Iona in Scotland from 1899 to 1940 and popularised use of the Celtic cross in jewelry. [7]
Many different symbols are associated with Cornwall, a region which has disputed constitutional status within the United Kingdom (confer the Constitutional status of Cornwall). Saint Piran's Flag, a white cross on a black background is often seen in Cornwall. The Duchy of Cornwall shield of 15 gold bezants on a black field is also used.
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