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Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος, pronounced [oidípuːs týrannos]), or Oedipus the King, is an Athenian tragedy by Sophocles. While some scholars have argued that the play was first performed c. 429 BC, this is highly uncertain. [1]
The story of Oedipus is the subject of Sophocles' tragedy Oedipus Rex, which is followed in the narrative sequence by Oedipus at Colonus and then Antigone. Together, these plays make up Sophocles' three Theban plays. Oedipus represents two enduring themes of Greek myth and drama: the flawed nature of humanity and an individual's role in the ...
Oedipus at Colonus (also Oedipus Coloneus; Ancient Greek: Οἰδίπους ἐπὶ Κολωνῷ, Oidipous epi Kolōnō) is the second-last of the three Theban plays of the Athenian tragedian Sophocles.
A marble relief of a poet, perhaps Sophocles. Sophocles, the son of Sophillus, was a wealthy member of the rural deme (small community) of Hippeios Colonus in Attica, which was to become a setting for one of his plays; and he was probably born there, [2] [8] a few years before the Battle of Marathon in 490 BC: the exact year is unclear, but 497/6 is most likely.
Sophocles' tragedy Antigone (c. 441 BC), picks up the story of the Seven where Aeschylus' Seven Against Thebes left off. Just as in Aeschylus' play, Sophocles has seven champions face seven defenders at the seven gates of Thebes—with Polynices and Eteocles killing each other—but with no names or other details: [96]
A series of famous examples is the Theban play created by Sophocles, one of three ancient Greek tragedians. In particular, the plot of Oedipus Rex, one of the representative works in the Greek tragedy, includes that the protagonist Oedipus defeated the Sphinx by solving puzzles. Oedipus gradually established an image of superior intelligence.
Oedipus at Colonus (German: Ödipus in Kolonos), Op. 93 [1] is incidental music by Felix Mendelssohn to Sophocles' play Oedipus at Colonus (401 BC) consisting of an orchestral introduction and nine scenes for two choirs and soloists.
In Seneca's play Oedipus is, at best, an aid to the death of Jocasta, and from the ambiguous lines may even have taken her life. In Sophocles’ play, Jocasta hangs herself, and Oedipus subsequently discovers her lifeless body. In Seneca, Laius names his killer. In Sophocles, Oedipus’ guilt emerges gradually throughout the developing play.
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related to: oedipus by sophocles summary