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The trombone produces notes within its range by extending the main slide to different positions. In first position, the length of the bore is at its shortest; seventh position puts the slide at its furthest extension, at the edge of the inner slide's stockings. (These are sections of slightly greater diameter at the ends of the inner slide tubes.)
In the early 2010s Torbjörn Hultmark of the Royal College of Music commissioned the first soprano trombone in B♭ with an F valve, built by Thein Brass. [19] Alto Although rare on the E ♭ alto trombone, a valve attachment usually lowers the instrument a perfect fourth into B ♭, providing the first five or six positions from the tenor ...
This page lists classical pieces in the trombone repertoire, including solo works, concertenti and chamber music of which trombone plays a significant part. Solo trombone [ edit ]
The contrabass trombone (German: Kontrabassposaune, Italian: trombone contrabbasso) is the lowest-pitched instrument in the trombone family of brass instruments.While modern instruments are pitched in 12 ft (12 ′) F with a single slide, the first practical contrabass trombones appeared in the mid-19th century built in 18 ′ B♭ an octave below the tenor trombone with a double slide.
The alto trombone appears in the earliest written music for trombone, where composers wrote alto, tenor, and bass parts to bolster the corresponding voices in church liturgical music. [1] Although the parts were notated in alto, tenor and bass clefs, historically the clef has not always been a reliable indicator of which type of trombone was ...
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
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Emory Brace Remington (1892–1971) was a trombonist and music teacher.His unique method made him one of the most well-known and influential trombone educators in history. He was a member of the Rochester Philharmonic Orchestra from 1923 to 1949, and on the faculty of the Eastman School of Music in Rochester, NY from 1922 until his death in 1971.
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