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Breakcore is a style and microgenre of electronic dance music that emerged from jungle, hardcore, and drum and bass in the mid-to-late 1990s. [ 1 ] [ 2 ] It is characterized by very complex and intricate breakbeats and a wide palette of sampling sources played at high tempos.
The release of the song was preceded by three teasers: on the first one, entitled "Road to Crystalline" we can see Björk driving her Hummer through a road in Iceland while playing an excerpt of a demo version of the song; on the second one, we could see one of the new instruments developed for the Manchester performances, that also plays on the track: the 'Gameleste', a celesta which was ...
Breakcore is a loosely defined electronic music style that brings together elements of drum and bass, hardcore techno and IDM into a breakbeat-oriented sound that encourages speed, complexity, impact and maximum sonic density.
Unlike his previous albums for Mille Plateaux, The Destroyer had a much heavier sound more akin to that of his band Atari Teenage Riot, and is considered one of the earliest examples of a breakcore record. Producer Enduser named the album as an inspiration for his music. [3] The album peaked at #54 on the CMJ Radio Top 200 in the U.S. [4]
Aaron Funk (born January 11, 1975), known as Venetian Snares, is a Canadian electronic musician based in Winnipeg, Manitoba.He is widely known for innovating and popularising the breakcore genre, and is one of the most recognisable artists to be signed to Planet Mu, an experimental electronic music label.
Their first self-titled album was on the label Blood Music and recorded at Improve Tone Studio in Lezoux, France. [57] He also collaborated with fellow breakcore artist Bong-Ra [58] Serre worked with The Algorithm on Brute Force. [59] Serre has remixed songs for Morbid Angel (released on Illud Divinum Insanus – The Remixes [59]) and Meshuggah ...
"Closing Time" is a song by American rock band Semisonic. It was released on March 10, 1998, as the lead single from their second studio album, Feeling Strangely Fine, and began to receive mainstream radio airplay on April 27, 1998.
The breakbeat hardcore rave scene was beginning to fragment by late 1992 into a number of subsequent breakbeat-based genres: darkcore (tracks embracing dark-themed samples and stabs), hardcore jungle (reggae basslines and influences became prominent), and 4-beat also known as happy hardcore where piano rolls and uplifting vocals were still central to the sound. [2]