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Little is known of Shakespeare's personal life, and some anti-Stratfordians take this as circumstantial evidence against his authorship. [37] Further, the lack of biographical information has sometimes been taken as an indication of an organised attempt by government officials to expunge all traces of Shakespeare, including perhaps his school records, to conceal the true author's identity.
H. L. Mencken wrote a withering review of the work, concluding that it makes sorry reading for those who revered Twain. [68] In 1918, Professor Abel Lefranc, a renowned authority on François Rabelais, published the first volume of Sous le masque de "William Shakespeare" in which he provided detailed arguments for the claims of the Earl of ...
J.C. Squire's "If It Had Been Discovered in 1930 that Bacon Really Did Write Shakespeare," published in If It Had Happened Otherwise (1931), is a comic farce wherein cultural upheavals, acts of quick thinking in rebranding tourist attractions, and additions of new slang terms to the English language occur when someone finds a box containing ...
Mainstream Shakespeare scholars maintain that biographical interpretations of literature are unreliable for attributing authorship, [10] and that the convergence of documentary evidence for Shakespeare's authorship—title pages, testimony by other contemporary poets and historians and official records—is the same as that for any other author ...
Portrait miniature of an unknown woman, possibly Emilia Lanier Bassano, c. 1590, by Nicholas Hilliard [1]. The Emilia Lanier theory of Shakespeare authorship contends that the English poet Emilia Lanier (née Aemilia Bassano; 1569–1645) is the actual author of at least part of the plays and poems traditionally attributed to William Shakespeare.
In the afterword of the 2000 young adult novel A Question of Will, author Lynne Kositsky addresses the debate over who really wrote Shakespeare's plays, supporting the Oxfordian theory. [208] Oxfordian theory, and the Shakespeare authorship question in general, is the basis of Amy Freed's 2001 play The Beard of Avon. [209]
According to Open Source Shakespeare, a web page containing all of the bard’s plays, poems and sonnets, there are 884,421 words in the entire works of Shakespeare.
Greenstreet's theory was revived by the American writer Robert Frazer, who argued in The Silent Shakespeare (1915) that the actor William Shakespeare merely commercialised the productions of other authors, mainly by adding vulgar comic scenes. He believed that Derby was the principal author of the more elevated material in the Shakespeare plays ...