Search results
Results from the WOW.Com Content Network
A version of the song in Tagalog was used by Josefino Cenizal as a film score for the film Ang Pugad ng Aguila ("Hawk's Nest") in 1938. National Artist Levi Celerio also wrote Tagalog lyrics to the song during the 1950s.
It has been covered many times and is a standard on the repertoire of many artists performing Filipino romantic and popular music. [14] [15] The song's canonical status as a classic Filipino love song was again confirmed by its inclusion on the 2004 hit compilation album Great Filipino Love Songs. [16] [17]
The collection entitled Filipino Folk Songs by Emilia Cavan is considered to be the earliest collection with tunes, published in 1924. Perhaps, the most important collection of folk songs is the Philippine Progressive Music Series by Norberto Romualdez, published in the late 1920s.
Filipino hip-hop is hip hop music performed by musicians of Filipino descent, both in the Philippines and overseas, especially by Filipino-Americans. The Philippines is known to have the first hip-hop music scene in Asia, emerging in the early 1980s, largely due to the country's historical connections with the United States where hip-hop ...
This is a list of notable Philippine-based choirs, orchestras and musical bands.Bands listed fall under any of these main Philippine music styles: Philippine folk, Manila sound, Pinoy reggae, Pinoy pop, Pinoy rock and Pinoy hip hop, as well as the jazz and ska music genres.
Kundiman is a genre of traditional Filipino love songs. [1] The lyrics of the kundiman are written in Tagalog.The melody is characterized by a smooth, flowing and gentle rhythm with dramatic intervals.
Songs in Tagalog (1 C, 111 P) Lists of songs recorded by Filipino artists (7 P) T. Taglish songs (20 P) Pages in category "Philippine songs" The following 7 pages are ...
It has since been considered a Philippine romantic classic. The lyrics were translated from Spanish into Tagalog by the Filipino National Artist Levi Celerio . An arrangement of the song by Rosendo E. Santos, Jr. [ 5 ] was also included in the repertoire of the Harvard Glee Club , during their tour of the Philippines in 1961.