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The clavichord is an example of a period instrument. In the historically informed performance movement, musicians perform classical music using restored or replicated versions of the instruments for which it was originally written. Often performances by such musicians are said to be "on authentic instruments".
Long String Instrument, (by Ellen Fullman, strings are rubbed in, and vibrate in the longitudinal mode) Magnetic resonance piano , (strings activated by electromagnetic fields) Stringed instruments with keyboards
The clavichord is a stringed rectangular keyboard instrument [1] that was used largely in the Late Middle Ages, through the Renaissance, Baroque and Classical eras. [2] Historically, it was mostly used as a practice instrument and as an aid to composition, not being loud enough for larger performances. [2]
Antonio Stradivari, by Edgar Bundy, 1893: a romanticized image of a craftsman-hero. A Stradivarius is one of the string instruments, such as violins, violas, cellos, and guitars, crafted by members of the Stradivari family, particularly Antonio Stradivari (Latin: Antonius Stradivarius), in Cremona, Italy, during the late 17th and early 18th centuries.
Mandora or gallichon generally refers to a bass lute from the 1700s, with a vibrating string length of 72 centimeters or greater, used in Germany and Bohemia. It could be either single- or double-strung. [3] James Tyler pointed out in his book The Early Mandolin that the word mandora was rarely encountered before the 18th century. [4]
Bowed instruments pose a challenge to instrument builders, as compared with instruments that are only plucked (e.g., guitar), because on bowed instruments, the musician must be able to play one string at a time if they wish.
The string "courses", unlike those of a Renaissance lute or archlute, were often single, although double stringing was also used. Typically, theorbos have 14 courses, though some used 15 or even 19 courses . This is theorbo tuning in A. Modern theorbo players usually play 14-course (string) instruments (lowest course is G).
This book is a history of Scottish music, and contains some information on the mandora. Dauney makes it clear that the mandora (which he also calls the mandour) for which the tunes in the Skene Manuscript are written, is the same instrument that Mersenne called the mandore .