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For example, if a solo instrument within an orchestra needs an extra mic for added volume and presence, placing the mic too close would result in a pickup that sounds overly present, unnatural and out of context with the distant, overall orchestral pickup. To avoid this pitfall, a compromise in distance should be struck.
Block diagram of the signal-flow for a common feedback loop. [1]: 118 Audio feedback (also known as acoustic feedback, simply as feedback) is a positive feedback situation that may occur when an acoustic path exists between an audio output (for example, a loudspeaker) and its audio input (for example, a microphone or guitar pickup).
Microphones used for sound reinforcement are positioned and mounted in many ways, including base-weighted upright stands, podium mounts, tie-clips, instrument mounts, and headset mounts. Microphones on stands are also placed in front of instrument amplifiers to pick up the sound. Headset-mounted and tie-clip-mounted microphones are often used ...
Example of microphone positioning in a Decca Tree setup. A Decca Tree setup uses three omnidirectional microphones arranged in a "T" pattern outlining a triangle, often equilateral; the center microphone is mixed with the two spaced microphones to fill the "hole in the middle" in their imaging; it points the sound source.
One or more microphones are placed along the length of the room, and these pick up both the sound from the speaker and its reflections off the walls of the chamber. The farther away from the loudspeaker, the more echo and reverberation the microphone(s) picks up, and the louder the reverberation becomes in relation to the source.
The lack of reflections in a free field means that any sound in the field is entirely determined by a listener or microphone because it is received through the direct sound of the sound source. This makes the open field a direct sound field. [3] In a free field, sound is attenuated with increased distance according to the inverse-square law. [1]
Here, the still-mic-level signal enters into a microphone preamplifier, which boosts the signal voltage to line level. For this example, the microphone preamplifier is built into a mixing board. It is typical for a mixing board to include a line trim after the preamplifier. This allows the amplitude of the now line-level signal to be adjusted.
The predecessor of the directional boundary microphone was a directional microphone placed in an Electrovoice Mic Mouse, a foam block that suspended a conventional microphone horizontally just above a surface. Because conventional microphone diaphragms are relatively large (> 1 cm diameter), phase interference from surface sound reflections ...