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Dye-sublimation printing (or dye-sub printing) is a term that covers several distinct digital computer printing techniques that involve using heat to transfer dye onto a substrate. The sublimation name was first applied because the dye was thought to make the transition between the solid and gas states without going through a liquid stage. This ...
The result of the sublimation process is a nearly permanent, high resolution, full color print. Because the dyes are infused into the substrate at the molecular level, rather than applied at a topical level (such as with screen printing and direct to garment printing), the prints will not crack, fade or peel from the substrate under normal ...
Heat converts the solid dye particles into a gas through sublimation. The liquid phase is skipped due to the instantaneous nature of the physical change. This immediacy bonds the released chemicals to the polyester fibers. Unlike screen printing and direct-to-garment digital printing, the process of printing sees dye absorbed directly into the ...
The form of the cooled surface often is a so-called cold finger which for very low-temperature sublimation may actually be cryogenically cooled. If the operation is a batch process, then the sublimed material can be collected from the cooled surface once heating ceases and the vacuum is released. Although this may be quite convenient for small ...
Inkjet printing: 1950: Dye-sublimation: 1957: Laser printing: 1969: Thermal printing: c. 1972: ... Chromolithography is a chemical process based on the rejection of ...
Continuous Liquid Interface Production (CLIP; originally Continuous Liquid Interphase Printing) is a proprietary method of 3D printing that uses photo polymerization to create smooth-sided solid objects of a wide variety of shapes using resins.
Dye-sublimation printing is a direct-to-garment digital printing technology using full color artwork to transfer images to polyester and polymer-coated substrate based T-shirts. Dye-sublimation (also commonly referred to as all-over printing) came into widespread use in the 21st century, enabling some designs previously impossible.
For dye sublimation transfer paper, fabrics historically had to be white or light in color. 100% polyester, poly/cotton mix (the garment should be at least 50% polyester) microfibre and nylon can all be used. This printing process turns solid ink into a gas, avoiding a liquid stage.
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