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Realistic was a private label consumer electronics brand produced by RadioShack. Initially only a home audio equipment brand, its product line expanded to include CB radios , walkie-talkies , and video camcorders by the 1980s.
The Princeton was a small six watt amp with an 8" Jensen field-coil speaker. This amp had no controls as it was designed for the guitar to solely control the volume and was simply turned on by plugging/unplugging into the wall plug. The Deluxe was a larger amp with a Jensen 10” field-coil speaker and five tubes in a 14-watt design.
A guitar pedal board comprising several effects pedals, including vintage Electro-Harmonix Big Muff and Vox wah-wah pedals from the 1960s and 70s. Vintage musical equipment is older music gear, including instruments, amplifiers and speakers, sound recording equipment and effects pedals, sought after, maintained and used by record producers, audio engineers and musicians who are interested in ...
Silverface amps made between '68 and '72 were emblazoned with "Super Reverb-Amp" with a tailed amp logo in the grille cloth. After 1972 this was changed to just "Super Reverb" and the tailed Fender logo from the mid-1960s was replaced with a modern "unscripted" tailless amp decal (changed to a "scripted" style in 1977).
The Ampeg SVT is a bass guitar amplifier designed by Bill Hughes and Roger Cox for Ampeg and introduced in 1969. The SVT is a stand-alone amplifier or "head" as opposed to a "combo" unit comprising amp and speaker(s) in one cabinet, and was capable of 300 watts output at a time when most amplifiers could not exceed 100 watts output, making the SVT an important amp for bands playing music ...
The Realistic Concertmate MG-1 is an analog synthesizer co-developed by Tandy and Moog Music as a basic, low-priced synthesizer to be sold by Radio Shack under their "Realistic" brand. With estimated unit sales of 23,000 from 1982 to 1983, the MG-1 became the best-selling synthesizer ever manufactured by Moog Music, [ 2 ] and is one of the most ...
That original amp was replaced by the 700B and the 700 II. All of those designs were made to have extra power to run loudly the relatively inefficient sealed-box speakers like the Acoustic Research AR3/AR3a. [citation needed] The second amplifier released was the Phase Linear 400 with 200 watts per channel.
During the 1970s, the MC-2300 was an expensive piece of audio equipment, with a retail price of $1799 by the time of its discontinuation in 1980. [1] That being said, its outstanding power and sound production quality made it a valued part of many recording studios and although some people prefer the sound of tube amplifiers, the overall greater reliability and freedom from repair of the newer ...
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