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Oedipus Rex, also known by its Greek title, Oedipus Tyrannus (Ancient Greek: Οἰδίπους Τύραννος, pronounced [oidípuːs týrannos]), or Oedipus the King, is an Athenian tragedy by Sophocles. While some scholars have argued that the play was first performed c. 429 BC, this is highly uncertain. [1]
Oedipus (UK: / ˈ iː d ɪ p ə s /, also US: / ˈ ɛ d ə-/; Ancient Greek: Οἰδίπους "swollen foot") was a mythical Greek king of Thebes.A tragic hero in Greek mythology, Oedipus fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
Seven Against Thebes (Ancient Greek: Ἑπτὰ ἐπὶ Θήβας, Hepta epi Thēbas; Latin: Septem contra Thebas) is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The trilogy is sometimes referred to as the Oedipodea. [2]
Oedipus (French: Œdipe) is a tragedy by the French dramatist and philosopher Voltaire that was first performed in 1718. [1] It was his first play and the first literary work for which he used the pen-name Voltaire (his real name was François-Marie Arouet).
Oedipus (Dryden play) Oedipus (Seneca) Oedipus (Voltaire play) This page was last edited on 20 July 2023, at 14:06 (UTC). Text is available under the Creative ...
But a new ending was added to the play some fifty years later: Antigone and Ismene mourn their dead brothers, a messenger enters announcing an edict prohibiting the burial of Polynices, and Antigone declares her intention to defy this edict. [36] The play was the third in a connected Oedipus trilogy. The first two plays were Laius and Oedipus.
Oedipus (US: / ˈ ɛ d ɪ p ə s / or UK: / ˈ iː d ɪ p ə s /; Ancient Greek: Οἰδίπους, Oidípous) is a play by the 5th-century BCE Athenian dramatist Euripides. The play is now lost except for some fragments.
This play was Admirably well Acted; especially the Parts of Oedipus and Jocasta: One by Mr Betterton, the other by Mrs Betterton; it took prodigiously being Acted 10 Days together. [ 3 ] Dryden's All for Love , by contrast, despite its high place in the estimation both of Dryden and of his modern critics, seems to have had much less general appeal.