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A priest saying Dominus vobiscum while celebrating a Tridentine Mass. The response is Et cum spíritu tuo, meaning "And with your spirit."Some English translations, such as Divine Worship: The Missal and the Anglican Book of Common Prayer, translate the response in the older form, "And with thy spirit."
According to Watson Kirkconnell, the Christiad, "was one of the most famous poems of the Early Renaissance". Furthermore, according to Kirkconnell, Vida's, "description of the Council in Hell, addressed by Lucifer, in Book I", was, "a feature later to be copied", by Torquato Tasso , Abraham Cowley , and by John Milton in Paradise Lost .
"I am with you always" forms an inclusio with the Isaiah's prophecy quoted in Matthew 1:23 that 'they shall name him "Emmanuel", which means, God is with us' [5] (cf. Matthew 18:20). [ 6 ] The phrase "the end of the age" (or "the end of the world") recurs in Matthew 13:39,40 , 49 ; 24:3 , and points to Jesus' teachings about the end of times.
Jay Wright (born May 25, 1934 [1]) is a poet, playwright, and essayist.Born in Albuquerque, New Mexico, [2] he lives in Bradford, Vermont.Although his work is not as widely known as other American poets of his generation, it has received considerable critical acclaim, with some comparing Wright's poetry to the work of Walt Whitman, T. S. Eliot and Hart Crane. [3]
Little Gidding is the fourth and final poem of T. S. Eliot's Four Quartets, a series of poems that discuss time, perspective, humanity, and salvation.It was first published in September 1942 after being delayed for over a year because of the air-raids on Great Britain during World War II and Eliot's declining health.
"Footprints," also known as "Footprints in the Sand," is a popular modern allegorical Christian poem. It describes a person who sees two pairs of footprints in the sand, one of which belonged to God and another to themselves. At some points the two pairs of footprints dwindle to one; it is explained that this is where God carried the protagonist.
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"Lift Every Voice and Sing" is a hymn with lyrics by James Weldon Johnson (1871–1938) and set to music by his brother, J. Rosamond Johnson (1873–1954). Written from the context of African Americans in the late 19th century, the hymn is a prayer of thanksgiving to God as well as a prayer for faithfulness and freedom, with imagery that evokes the biblical Exodus from slavery to the freedom ...