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2. Model sheet - Wikipedia

   en.wikipedia.org/wiki/Model_sheet

   A sample model sheet from the DVD tutorial 'Chaos&Evolutions' In visual arts, a model sheet, also known as a character board, character sheet, character study or simply a study, is a document used to help standardize the appearance, poses, and gestures of a character in arts such as animation, comics, and video games.

3. Ligne claire - Wikipedia

   en.wikipedia.org/wiki/Ligne_claire

   Yves Chaland: Le jeune Albert (Brussels' Comic Book Route)Ligne claire (French: [liɲ(ə) klɛːʁ]; Dutch: klare lijn [ˈklaːrə ˈlɛin]; both meaning "clear line") is a style of drawing created and pioneered by Hergé, the Belgian cartoonist and creator of The Adventures of Tintin.

4. Template:WikiProject Comics - Wikipedia

   en.wikipedia.org/wiki/Template:WikiProject_Comics

   The {{WikiProject Comics}} project banner template should be added (not subst:ed) to the talk page of every article within the scope of the project. While the template does not require any additional parameters, it has a number of optional ones that add various extra features to the banner.

5. Masking (comics) - Wikipedia

   en.wikipedia.org/wiki/Masking_(comics)

   Masking (or the masking effect) is a visual style used in comics, first described by American cartoonist Scott McCloud in his book Understanding Comics: The Invisible Art. McCloud argues that characters with simple but recognizable designs, which he terms "iconic" characters, allow readers to project themselves into the story by using the ...

6. Cel shading - Wikipedia

   en.wikipedia.org/wiki/Cel_shading

   After drawing the outline, back-face culling is set back to normal to draw the shading and optional textures of the object. Finally, the image is composited via Z-buffering, as the back-faces always lie deeper in the scene than the front-faces. The result is that the object is drawn with a black outline and interior contour lines.

7. John McCrea (comics) - Wikipedia

   en.wikipedia.org/wiki/John_McCrea_(comics)

   He broke into American comics in 1993, drawing Ennis's run on DC Comics's The Demon, followed by its spin-off, Hitman, from 1996 to 2001, on which McCrea developed a versatile drawing style equally at home with goofy humour, action, and subtle characterisation.