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Tsukioka Yoshitoshi (Japanese: 月岡 芳年; also named Taiso Yoshitoshi 大蘇 芳年; 30 April 1839 – 9 June 1892) was a Japanese printmaker. [1]Yoshitoshi has widely been recognized as the last great master of the ukiyo-e genre of woodblock printing and painting.
Like kunoichi (female ninja) and geisha, the onna-musha's conduct is seen as the ideal of Japanese women in movies, animations and TV series. In the West, the onna-musha gained popularity when the historical documentary Samurai Warrior Queens aired on the Smithsonian Channel. [43] [44] Several other channels reprised the documentary.
The Great Wave off Kanagawa (神奈川沖浪裏, Kanagawa-oki nami-ura) print by Hokusai Metropolitan Museum of Art. Woodblock printing in Japan (木版画, mokuhanga) is a technique best known for its use in the ukiyo-e [1] artistic genre of single sheets, but it was also used for printing books in the same period.
Three Beauties of the Present Day (当時三美人, Tōji San Bijin) is a nishiki-e colour woodblock print from c. 1792–93 by Japanese ukiyo-e artist Kitagawa Utamaro (c. 1753 –1806). The triangular composition depicts the profiles of three celebrity beauties of the time: geisha Tomimoto Toyohina, and teahouse waitresses Naniwaya Kita and ...
Sumo wrestling scene, triptych set of three prints by Kunisada, c. 1851. The mid-1840s and early 1850s, were a period of expansion when woodblock prints were in high demand in Japan. During this time Kunisada collaborated with one of or both Hiroshige and Kuniyoshi in three major series as well as on a number of smaller projects.
Hawk, woodblock print. Utagawa Kuniyoshi (Japanese: 歌川 国芳, [ɯtaɡawa kɯɲiꜜjoɕi]; 1 January 1798 [1] – 14 April 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting. [2] He was a member of the Utagawa school. [3]
The prints are multicolour nishiki-e woodblock prints on handmade washi paper. [6] Each horizontal print is in ōban size, [ 7 ] about 25.5 by 37 centimetres (10 in × 15 in). The book bears no publisher's seal, but from the blue covers of the folding album are the same as others published by Tsutaya Jūzaburō at the time, and the clothing of ...
A Geisha received the 1954 Blue Ribbon Award for Best Supporting Actor (Eitarō Shindō) and for Best Supporting Actress (Chieko Naniwa). [3]The film is regarded as one of Mizoguchi's major works by critics and historians, described as "elegantly made […] and poignant in the extreme" (Geoff Andrew, Time Out), [4] "incredibly beautiful" and "compassionate but completely unsentimental ...
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