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Iambic pentameter (/ aɪ ˌ æ m b ɪ k p ɛ n ˈ t æ m ɪ t ər / eye-AM-bik pen-TAM-it-ər) is a type of metric line used in traditional English poetry and verse drama.The term describes the rhythm, or meter, established by the words in each line.
Generative metrics [a] is the collective term for three distinct theories of verse structure (focusing on the English iambic pentameter) advanced between 1966 and 1977.. Inspired largely by the example of Noam Chomsky's Syntactic Structures (1957) and Chomsky and Morris Halle's The Sound Pattern of English (1968), [1] these theories aim principally at the formulation of explicit linguistic ...
In some kinds of metre, such as the Greek iambic trimeter, two feet are combined into a larger unit called a metron (pl. metra) or dipody. The foot is a purely metrical unit; there is no inherent relation to a word or phrase as a unit of meaning or syntax , though the interplay between these is an aspect of the poet's skill and artistry.
Accentual-syllabic verse is highly regular and therefore easily scannable. Usually, either one metrical foot, or a specific pattern of metrical feet, is used throughout the entire poem; thus one can speak about a poem being in, for example, iambic pentameter.
Resolution is the metrical phenomenon in poetry of replacing a normally long syllable in the meter with two short syllables.It is often found in iambic and trochaic meters, and also in anapestic, dochmiac and sometimes in cretic, bacchiac, and ionic meters.
In languages with a stress accent (accentual verse), it is the equivalent of pentameter with iambs or trochees (particularly iambic pentameter). Medieval French heroic epics (the chansons de geste ) were most often composed in 10 syllable verses (from which, the decasyllable was termed "heroic verse"), generally with a regular caesura after the ...
In a line of verse that normally employs iambic meter, trochaic substitution describes the replacement of an iamb by a trochee. The following line from John Keats's To Autumn is straightforward iambic pentameter: [2] To swell the gourd, and plump the hazel shells
Milton's most notable works, including Paradise Lost, are written in blank verse: unrhymed iambic pentameter.He was not the first to use blank verse, which had been a mainstay of English drama since the 1561 play Gorboduc.