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A scene from the Bayeux Tapestry depicting Bishop Odo rallying Duke William's army during the Battle of Hastings in 1066. The Bayeux Tapestry [a] is an embroidered cloth nearly 70 metres (230 feet) long and 50 centimetres (20 inches) tall [1] that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England ...
The Bayeux Tapestry, a 70-metre (77 yd) long embroidered-linen cloth which narrates the story of the Norman conquest of England in 1066 has been said to be "one of the most powerful pieces of visual propaganda ever produced, as well as one of the few medieval works of art familiar to almost everyone in the Western world."
Odo of Bayeux (died 1097) was Bishop of Bayeux in Normandy and was also made Earl of Kent in England following the Norman Conquest. He was the maternal half-brother of duke, and later king, William the Conqueror , and was, for a time, William's primary administrator in the Kingdom of England, although he was eventually tried for defrauding ...
The Bayeux Tapestry is an embroidered cloth which depicts the events leading up to the Norman conquest of England in the 11th century. ... it tells the story surrounding the conquest of England in ...
The 68.3-meter-long (224-foot-long) tapestry depicts William, Duke of Normandy, and his army killing Harold Godwinson, or Harold II, the last Anglo-Saxon king of England, at the Battle of Hastings.
This scene in the Bayeux Tapestry occurs near Hastings, immediately before William ordered the building of a castle there, shortly before the Battle of Hastings. Robert, Count of Mortain, first Earl of Cornwall of 2nd creation (c. 1031 –c. 1095) was a Norman nobleman and the half-brother (on their mother's side) of King William the Conqueror.
The tapestry is housed in the town of Bayeux in Normandy, France. By conducting a geophysical survey and analyzing maps and records, historians were able to gather new information about the site ...
Bayeux Tapestry created by the Leek Embroidery Society on display at Reading Museum, 2019. By 1885, thirty-seven ladies of the Leek School of Art Embroidery Society began work on a replica of the Bayeux Tapestry. [10] Elizabeth had seen the real Bayeux Tapestry while at an exhibition and believed that Britain should have its own version.