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The human skull is an obvious and frequent symbol of death, found in many cultures and religious traditions. [1] Human skeletons and sometimes non-human animal skeletons and skulls can also be used as blunt images of death; the traditional figure of the Grim Reaper – a black-hooded skeleton with a scythe – is one use of such symbolism. [2]
Centre panel from Memling's triptych Last Judgment (c. 1467–1471) " Dies irae" (Ecclesiastical Latin: [ˈdi.es ˈi.re]; "the Day of Wrath") is a Latin sequence attributed to either Thomas of Celano of the Franciscans (1200–1265) [1] or to Latino Malabranca Orsini (d. 1294), lector at the Dominican studium at Santa Sabina, the forerunner of the Pontifical University of Saint Thomas Aquinas ...
Death and the Miser belongs to the tradition of memento mori, a term that describes works of art that remind the viewer of the inevitability of death.The painting shows the influence of popular 15th-century handbooks (including text and woodcuts) on the "Art of Dying Well" (Ars moriendi), intended to help Christians choose Christ over earthly and sinful pleasures.
Death: Death is shown at the doorstep, personified as a grim reaper, along with an angel and a demon while the priest says the sinner's last rites, Heaven: The saved are entering Heaven, with Jesus and the saints, at the gate of Heaven an Angel prevents a demon from ensnaring a woman. Saint Peter is shown as the gatekeeper.
Archangel Michael is commonly depicted holding scales to weigh the souls of people on Judgement Day.. The weighing of souls (Ancient Greek: psychostasia) [1] is a religious motif in which a person's life is assessed by weighing their soul (or some other part of them) immediately before or after death in order to judge their fate. [2]
The crucifix is a principal symbol for many groups of Christians, and one of the most common forms of the Crucifixion in the arts. It is especially important in the Catholic Church , and is also used in the Lutheran Churches , Anglican Churches , Eastern Orthodox Church , and in most Oriental Orthodox Churches (except the Armenian Church and ...
The origin of the symbol comes from the tradition that Saint Peter was crucified upside down. [1] This narrative first appears in the "Martyrdom of Peter", a text found in, but possibly predating, the Acts of Peter , an apocryphal work which was originally composed during the second half of the 2nd century. [ 2 ]
The Victory Stele of Naram-Sin is a stele that dates to approximately 2254–2218 BC, in the time of the Akkadian Empire, and is now at the Louvre in Paris.The relief measures 2 meters in height (6' 7") [1] and was carved in pinkish sandstone, [2] with cuneiform writings in Akkadian and Elamite.