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From the beginning of organised motor sport events, in the early 1900s, until the late 1960s, before commercial sponsorship liveries came into common use, vehicles competing in Formula One, sports car racing, touring car racing and other international auto racing competitions customarily painted their cars in standardised racing colours that indicated the nation of origin of the car or driver.
Since a country is represented in the motorsport through a team and not through a constructor, [4] French privateer teams entering cars built by constructors from another country before the 1968 season painted cars in the bleu de France blue, e.g. the French Guy Ligier's privateer team entered cars painted in bleu de France blue in 1966 and ...
Formula One sponsorship liveries have been used since the 1968 season. Before the arrival of sponsorship liveries in 1968 the nationality of the team determined the colour of a car entered by the team, e.g. cars entered by Italian teams were rosso corsa red, cars entered by French teams were bleu de France blue, and cars entered by British teams (with several exceptions, such as cars entered ...
The 3-3-2 bit RGB use 3 bits for each of the red and green color components, and 2 bits for the blue component, due to the human eyes having lesser sensitivity to blue. This results in an 8×8×4 = 256-color palette as follows: This palette is used by: The MSX2 series of personal computers; Palette 4 of the IBM PGC; Extended Graphics Array (XGA)
The pigment is noteworthy for its vibrant, near-perfect blue color and unusually high NIR reflectance. [1] [2] The color may be adjusted by varying the In/Mn ratio in the pigment's base formula of YIn 1−x Mn x O 3, but the bluest pigment, YIn 0.8 Mn 0.2 O 3, has a color comparable to standard cobalt blue CoAl 2 O 4 pigments. [2]
The RGB color model is an additive color model [1] in which the red, green, and blue primary colors of light are added together in various ways to reproduce a broad array of colors. The name of the model comes from the initials of the three additive primary colors , red, green, and blue.
ISBN 978-2-02-086991-1. Riley, Charles A. II (1995). Color Codes: Modern Theories of Color in Philosophy, Painting and Architecture, Literature, Music, and Psychology. Hanover, New Hampshire: University Press of New England. Travis, Tim (2020). The Victoria and Albert Museum Book of Colour in Design. Thames & Hudson. ISBN 978-0-500-48027-4.
Among their other color pairs, brown (#282800) on dark green (#A0A000) has a contrast ratio of 3.24:1, which is less than the WCAG recommendation, dark brown (#1E1E00) on light green (#B9B900) has a contrast ratio of 4.54:1 and blue (#00007D) on yellow (#FFFF00) has a contrast ratio of 11.4:1. The colors named in the report use different color ...