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  2. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Download QR code; Print/export ... Slendro on C compared to a whole tone scale on C. ... A free Android app with scales & building chords for the scales;

  3. Meantone temperament - Wikipedia

    en.wikipedia.org/wiki/Meantone_temperament

    A meantone temperament is a regular temperament, distinguished by the fact that the correction factor to the Pythagorean perfect fifths, given usually as a specific fraction of the syntonic comma, is chosen to make the whole tone intervals equal, as closely as possible, to the geometric mean of the major tone and the minor tone. Historically ...

  4. Kirnberger temperament - Wikipedia

    en.wikipedia.org/wiki/Kirnberger_temperament

    Tempering any musical scale, however, is always a give-and-take situation: No temperament is a perfect solution to the fixed tuning problem. However, one must remember that tempering only really applies to instruments with fixed pitch: Any keyboard instrument, fixed-fretted instrument ( lutes , viols , guitars ), harps , and so forth.

  5. 96 equal temperament - Wikipedia

    en.wikipedia.org/wiki/96_equal_temperament

    Since the 16th-tone piano has a 97-key layout arranged in 8 conventional piano "octaves", music for it is usually notated according to the key the player has to strike. While the entire range of the instrument is only C 4 –C 5 , the notation ranges from C 0 to C 8 .

  6. Wolf interval - Wikipedia

    en.wikipedia.org/wiki/Wolf_interval

    with this set of chosen notes in bold face, and some of the omitted notes shown in grey. [e]This limitation on the set meantone notes and their sharps and flats that can be tuned on a keyboard at any one time, was the main reason that Baroque period keyboard and orchestral harp performers were obliged to retune their instruments in mid-performance breaks, in order to make available all the ...

  7. 53 equal temperament - Wikipedia

    en.wikipedia.org/wiki/53_equal_temperament

    In music, 53 equal temperament, called 53 TET, 53 EDO, or 53 ET, is the tempered scale derived by dividing the octave into 53 equal steps (equal frequency ratios). Play ⓘ Each step represents a frequency ratio of 2 1 ∕ 53 , or 22.6415 cents ( Play ⓘ ), an interval sometimes called the Holdrian comma .

  8. 41 equal temperament - Wikipedia

    en.wikipedia.org/wiki/41_equal_temperament

    In music, 41 equal temperament, abbreviated 41-TET, 41-EDO, or 41-ET, is the tempered scale derived by dividing the octave into 41 equally sized steps (equal frequency ratios). Play ⓘ Each step represents a frequency ratio of 2 1/41 , or 29.27 cents ( Play ⓘ ), an interval close in size to the septimal comma .

  9. 31 equal temperament - Wikipedia

    en.wikipedia.org/wiki/31_equal_temperament

    31 EDO on the regular diatonic tuning continuum at p5 = 696.77 cents [1]. In music, 31 equal temperament, 31 ET, which can also be abbreviated 31 TET (31 tone ET) or 31 EDO (equal division of the octave), also known as tricesimoprimal, is the tempered scale derived by dividing the octave into 31 equally-proportioned steps (equal frequency ratios).