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North American Indian Jewelry and Adornment: From Prehistory to the Present. New York: Harry N. Abrams, 1999: 170-171. ISBN 0-8109-3689-5. Haley, James L. Apaches: a history and culture portrait. Norman: University of Oklahoma Press, 1997. ISBN 978-0-8061-2978-5. Karasik, Carol. The Turquoise Trail: Native American Jewelry and Culture of the ...
This practice of combining African slave men and Native American women was especially common in South Carolina. [38] Native American women were cheaper to buy than Native American men or Africans. Moreover, it was more efficient to have native women because they were skilled laborers, the primary agriculturalists in their communities. [38]
Effie Calavaza was born in 1927 in Zuni, New Mexico as Effie Lankeseon, [4] [5] where she lived her entire life. [6] She married Juan Calavaza (1910–1970), also a jewelry artist, who taught her the art.
[30] [35] It was more profitable to have Native American slaves because African slaves had to be shipped and purchased, while native slaves could be captured and immediately taken to plantations; whites in the Northern colonies sometimes preferred Native American slaves, especially Native women and children, to Africans because Native American ...
While many native photographers were interested in documenting tribal life, Luis González Palma (Mestizo, b. 1957) borrows from a Victorian aesthetic to create haunting, mysterious portraits of Mayan and mestizo people, especially women, from his native Guatemala. He shoots in black and white but then hand-tints the photographs in sepia tones ...
The beads were integrated in Native American jewelry using various beadwork techniques. Trade beads were also used by early Europeans to purchase African resources, [2] including slaves in the African slave trade. Aggry beads are a particular type of decorated glass bead from Ghana. The practice continued until the early twentieth century.
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