Search results
Results from the WOW.Com Content Network
Ethiopian liturgical chant, or Zema, is a form of Christian liturgical chant practiced by the Ethiopian Orthodox Tewahedo Church. [ 1 ] [ 2 ] The related musical notation is known as melekket . [ 3 ]
Some Ethiopian religious music has an ancient Christian element, traced to Yared, who lived during the reign of Emperor Gebre Meskel (Son of Kaleb of Aksumite Empire) in the 6th century. Yared was considered the father of Ethiopian-Eritrean traditional music as well as he composed chant or Zema and the use in liturgical music.
Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .
Saint Yared (Ge'ez: ቅዱስ ያሬድ; 25 April 505 – 20 May 571) [2] [3] [4] was an Aksumite composer in the 6th century. Often credited with being the forerunner of traditional music of Ethiopia, he developed the music of the Ethiopian Orthodox Church and Eritrean Orthodox Church.
Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. [1] Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. [5] Western sources often compare tizita to the blues.
Music, more technically speaking "hymns" or "psalms" (Mezmur — መዝሙር – in Amharic, [citation needed] the official language of Ethiopia, and also in other Ethiopian-Eritrean languages as well) plays a big role in preaching and the daily life of P'ent'ay/Evangelical Christians.
Krar (Geʽez: ክራር) is a five-or-six stringed bowl-shaped lyre from Ethiopia and Eritrea. It is tuned to a pentatonic scale. A modern Krar may be amplified, much in the same way as an electric guitar or violin. The Krar, along with Masenqo and the Washint, is one of the most widespread musical instruments in Northern Ethiopia and Eritrea. [1]
The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.