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A VistaVision 35 mm horizontal camera film frame (the dotted area shows the area actually used). VistaVision is a higher resolution, widescreen variant of the 35 mm motion picture film format that was created by engineers at Paramount Pictures in 1954.
The Technirama process used a film frame area twice as large as CinemaScope. This gave the former a sharper image with less photographic grain. Cameras used 35mm film running horizontally with an 8-perforation frame, double the normal size, exactly the same as VistaVision. VistaVision cameras were sometimes adapted for Technirama.
35 mm film is a film gauge used in filmmaking, and the film standard. [1] In motion pictures that record on film, 35 mm is the most commonly used gauge. The name of the gauge is not a direct measurement, and refers to the nominal width of the 35 mm format photographic film, which consists of strips 1.377 ± 0.001 inches (34.976 ± 0.025 mm) wide.
The change from 2.35:1 to 2.39:1 (sometimes rounded to 2.4:1 or, mathematically incorrectly, to 2.40:1) was mainly intended to facilitate "negative assembly", and also to better hide "negative assembly" splices, which otherwise may appear as a slight "flash" at the upper edge of the frame, during a splice.
In cinematography, full frame refers to an image area (today most commonly on a digital sensor) that is the same size as that used by a 35mm still camera. [1] Still cameras run the film horizontally behind the lens, whereas standard 35mm motion-picture cameras run the film vertically. Thus a 35mm still camera's image is significantly larger ...
Some formats are referred to in terms of the ratio "perforations per frame/gauge size" to provide an easy way of denoting size. For instance, 35mm Academy is also known as 4 perf-35mm; VistaVision is 8 perf-35mm; the long-time standard Todd-AO 70 mm film is 5 perf-70mm; and IMAX is 15 perf-70mm. This description does not indicate whether the ...
Because the 35mm film is exposed horizontally (as with a still camera), hence "lazy," 8 perforations/frame. This is in the text, dunno if it was in December 2007 though. The outcome is a wonderful/awesome, very sharp looking motion picture but it gobbles film (too costly) and projection isn't as easy, either, which is why the format faded away ...
The majority of 35 mm film systems, cameras, telecine equipment, optical printers, or projectors, are configured to accommodate the 4-perf system; each frame of 35 mm is 4 perforations long. 4-perf was (and remains) the traditional system, and the majority of projectors are based on 4-perf, because 4 perforations is the amount needed per frame vertically in order to have enough negative space ...
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