Search results
Results from the WOW.Com Content Network
[8] She adds that "Tolkien preferred the monsters to the critics." [8] Regina Weinreich, reviewing The Monsters and the Critics: And Other Essays in The New York Times, wrote that the title essay "revolutionized the study of the early English poem Beowulf, in which a young hero crushes a human-handed monster called Grendel. Against the scorn of ...
The Monsters and the Critics, and Other Essays is a collection of J. R. R. Tolkien's scholarly linguistic essays edited by his son Christopher and published posthumously in 1983. All of them were initially delivered as lectures to academics, with the exception of " On Translating Beowulf " , which Christopher Tolkien notes in his foreword is ...
Beowulf and the Critics by J. R. R. Tolkien is a 2002 book edited by Michael D. C. Drout that presents scholarly editions of the two manuscript versions of Tolkien's essays or lecture series "Beowulf and the Critics", which served as the basis for the much shorter 1936 lecture "Beowulf: The Monsters and the Critics".
Michael D. C. Drout (/ d r aʊ t /; born 1968) is an American Professor of English and Director of the Center for the Study of the Medieval at Wheaton College.He is an author and editor specializing in Anglo-Saxon and medieval literature, science fiction and fantasy, especially the works of J. R. R. Tolkien and Ursula K. Le Guin.
The commentary formed the basis of Tolkien's acclaimed 1936 lecture "Beowulf: The Monsters and the Critics". [1] [2] There follows Tolkien's story "Sellic Spell", with a short introduction and notes by Christopher Tolkien. It represents Tolkien's attempt to reconstruct the folktale underlying the narrative of the first half of Beowulf.
Tolkien stated in The Monsters and the Critics that Beowulf: [30] must have succeeded admirably in creating in the minds of the poet's contemporaries the illusion of surveying a past, pagan but noble and fraught with a deep significance – a past that itself had depth and reached backward into a dark antiquity of sorrow.
[1] [2] Tolkien was an expert on Old English, especially Beowulf, and several of his monsters share aspects of the Beowulf monsters; his Trolls have been likened to Grendel, the Orcs' name harks back to the poem's orcneas, and the dragon Smaug has multiple attributes of the Beowulf dragon.
Tolkien argues that "the evil spirits took visible shape" in the characters of Grendel and the dragon; however, the author's concern is focused on Beowulf. [6] Tolkien's essay was the first work of scholarship in which Anglo-Saxon literature was seriously examined on its literary merits – not just for scholarship about the origins of the ...