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Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
She is the earliest known woman composer in Western classical music, and an important exponent of sacred music during the High Middle Ages. List of compositions [ edit ]
Medieval music generally refers the music of Western Europe during the Middle Ages, from approximately the 6th to 15th centuries. [1] The first and longest major era of Western classical music, medieval music includes composers of a variety of styles, often centered around a particular nationality or composition school. The lives of most ...
Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. The sources of English secular music are much more limited than for ecclesiastical music.
The sources for Scottish Medieval music are extremely limited due to factors including a turbulent political history, the destructive practices of the Scottish Reformation, the climate and the relatively late arrival of music printing. In the early Middle Ages, ecclesiastical music was dominated by monophonic plainchant, which led to the ...
Ars antiqua, also called ars veterum or ars vetus, is a term used by modern scholars to refer to the Medieval music of Europe during the High Middle Ages, between approximately 1170 and 1310.
From the late Middle Ages there is a gargoyle of a pig playing the bagpipes at Melrose Abbey [6] and the carving of an angel playing bagpipes at Rosslyn Chapel. [8] There are literary references in Scotland to the fiddle, often called the fethill, fedhill or rybid. [9] In the Late Middle Ages several churches acquired pipe organs. [10]
Pérotin [n 1] (fl. c. 1200) was a composer associated with the Notre Dame school of polyphony in Paris and the broader ars antiqua musical style of high medieval music.He is credited with developing the polyphonic practices of his predecessor Léonin, with the introduction of three and four-part harmonies.