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After Midnight Oil toured through the Outback in 1986, playing to remote Aboriginal communities and seeing first hand the seriousness of the issues in health and living standards, Peter Garrett, Jim Moginie and Rob Hirst wrote "Beds Are Burning" to criticise how said populations were often forcibly removed from their lands, highlighted by the pre-chorus lines "it belongs to them, let's give it ...
Poetic devices are a form of literary device used in poetry. Poems are created out of poetic devices via a composite of: structural, grammatical, rhythmic, metrical, verbal, and visual elements. [1] They are essential tools that a poet uses to create rhythm, enhance a poem's meaning, or intensify a mood or feeling. [2]
A kenning (Old English kenning [cʰɛnːiŋɡ], Modern Icelandic [cʰɛnːiŋk]) is a circumlocution, an ambiguous or roundabout figure of speech, used instead of an ordinary noun in Old Norse, Old English, and later Icelandic poetry.
In rhetoric, an anaphora (Greek: ἀναφορά, "carrying back") is a rhetorical device that consists of repeating a sequence of words at the beginnings of neighboring clauses, thereby lending them emphasis. [2] In contrast, an epistrophe (or epiphora) is repeating words at the clauses' ends.
First edition. Morning in the Burned House is a book of poetry by Canadian author Margaret Atwood published by McClelland and Stewart in 1995.. The book expresses themes, interests, and styles characteristic of Atwood’s poetry.
A metrical foot (aka poetic foot) is the basic repeating rhythmic unit that forms part of a line of verse in most Indo-European traditions of poetry.. In some metres (such as the iambic trimeter) the lines are divided into double feet, called metra (singular: metron).
The last image we have of Patrick Cagey is of his first moments as a free man. He has just walked out of a 30-day drug treatment center in Georgetown, Kentucky, dressed in gym clothes and carrying a Nike duffel bag. The moment reminds his father of Patrick’s graduation from college, and he takes a picture of his son with his cell phone.
Triadic-line poetry or stepped line is a long line which "unfolds into three descending and indented parts". [1] Created by William Carlos Williams, it was his "solution to the problem of modern verse" [2] and later was also taken up by poets Charles Tomlinson and Thom Gunn.
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