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In Advance of the Broken Arm, also called Prelude to a Broken Arm, is a 1915 sculpture by Dada artist Marcel Duchamp that consisted of a regular snow shovel with "from Marcel Duchamp 1915" painted on the handle. One explanation for the title is that without the shovel to remove snow, one might fall and break an arm. [1]
In Advance of the Broken Arm (1915), a snow shovel, also called Prelude to a Broken Arm, followed soon after. His Fountain, a urinal signed with the pseudonym "R. Mutt", shocked the art world in 1917. [31] Fountain was selected in 2004 as "the most influential artwork of the 20th century" by 500 renowned artists and historians. [8]
In Advance of the Broken Arm (En prévision du bras cassé) 1915 Readymade sculpture Original is lost The Bride Stripped Bare by Her Bachelors, Even (The Large Glass) (La mariée mise à nu par ses célibataires, même (Le Grand Verre)) 1915–1923 Mixed media on glass 277.5 × 175.9 cm Philadelphia Museum of Art: Comb: 1916 Readymade sculpture
The first definition of "readymade" appeared in André Breton and Paul Éluard's Dictionnaire abrégé du Surréalisme: "an ordinary object elevated to the dignity of a work of art by the mere choice of an artist". While published under the name of Marcel Duchamp (or his initials, "MD", to be precise), André Gervais nevertheless asserts that ...
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The Gas Heart or The Gas-Operated Heart [1] (French: Le Cœur à gaz) is a French-language play by Romanian-born author Tristan Tzara.It was written as a series of non sequiturs and a parody of classical drama—it has three acts despite being short enough to qualify as a one-act play.
Can we imagine ourselves back on that awful day in the summer of 2010, in the hot firefight that went on for nine hours? Men frenzied with exhaustion and reckless exuberance, eyes and throats burning from dust and smoke, in a battle that erupted after Taliban insurgents castrated a young boy in the village, knowing his family would summon nearby Marines for help and the Marines would come ...
He continues to introduce the movement's own definition of "Dada" by boldly asserting that "Dada is the heart of words." [ 2 ] Ball concludes his manifesto with a linguistic explosion that alternates between coherence and absurdity.