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Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Cello Sonata No. 1 (Brahms) Cello Sonata No. 2 (Brahms) Clarinet Sonatas (Brahms) ...
Print/export Download as PDF; Printable version; In other projects Wikimedia Commons; ... (Brahms) Cello Sonata No. 2 (Brahms) Cello Sonata (Britten) C.
Brahms' antiquarian interests, his studies of music from the Renaissance to the Classical periods, show in his work — he edited and helped publish a two-chorus motet by Mozart Venite Populi, he had a collection of sonatas by Scarlatti — and in his composition, his motets Op. 74, his interest in the fugue and the passacaglia (outside of organ music such as Josef Rheinberger's Sonata No. 8 ...
Sonata for cello and piano (published 2003 by Český rozhlas; Roberto Gerhard. Cello Sonata (1956 originally for viola and piano (1948), transcription by the composer for cello and piano) Friedrich Gernsheim. Cello Sonata No. 1 Op. 12 in D minor; Cello Sonata No. 2 Op. 79 in E minor; Cello Sonata No. 3 Op. 87 in E minor; Alberto Ginastera
A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, and Sergei Rachmaninoff among others.
Print/export Download as PDF; Printable version; In other projects Wikidata item; Appearance. ... Cello Sonata No. 2 (Brahms) Clarinet Quintet (Brahms)
Jameson Williams was facing an arrest. Then a police sergeant, and Lions fan, arrived. The near arrest reportedly occurred on Oct. 8, weeks before the PED suspension, when Williams and his brother ...
The Allegro vivace is a sonata form opening with a fragmented cello theme over a tremolo piano part. [3] Its bipartite exposition somewhat unusually traverses F major, C major, and A minor; [4] Roger Graybill argued that the tonal plan may be read as ultimately returning to F major, given the intricate motivic structure of its voice leading.