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Some scholars have suggested the icon at Sinai could have been a possible representation of the Kamouliana icon of Christ [11] or of the famous icon of Christ of the Chalke Gate, [12] an image which was destroyed twice during the first and second waves of Byzantine Iconoclasm—first in 726, and again in 814—and thus its connection with the ...
Christ Pantocrator mosaic in Byzantine style from the Cefalù Cathedral, Sicily. The most common translation of Pantocrator is "Almighty" or "All-powerful". In this understanding, Pantokrator is a compound word formed from the Greek words πᾶς, pas (GEN παντός pantos), i.e. "all" [4] and κράτος, kratos, i.e. "strength", "might", "power". [5]
Although the most famous acheiropoieta today are mostly icons painted on wood panel, they exist in other media, such as mosaics, painted tile, and cloth. Ernst Kitzinger distinguished two types: "Either they are images believed to have been made by hands other than those of ordinary mortals or else they are claimed to be mechanical, though ...
Our Lady of Vladimir, egg tempera on wood panel, 104 by 69 centimetres (41 in × 27 in), painted about 1131 in Constantinople The Virgin of Vladimir, also known as Vladimir Mother of God, Our Lady of Vladimir [1] (Russian: Владимирская икона Божией Матери [a]), is a 12th-century Byzantine icon depicting the Virgin and Child and an early example of the Eleusa ...
Byzantine Iconoclasm, Chludov Psalter, 9th century. [10]Christian worship by the sixth century had developed a clear belief in the intercession of saints. This belief was also influenced by a concept of hierarchy of sanctity, with the Trinity at its pinnacle, followed by the Virgin Mary, referred to in Greek as the Theotokos ("birth-giver of God") or Meter Theou ("Mother of God"), the saints ...
Russian icon of the Holy Trinity The icon of St Nicolas carved in stone (between c. 12 and 15th centuries), at the Radomysl Castle, in Ukraine [2] Luke painting the Theotokos of Vladimir (16th century, Pskov) A rare ceramic icon depicting Saint Arethas (Byzantine, 10th century) Image of the Saviour Not Made by Hand: a traditional Orthodox ...
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