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Imogen Clare Holst CBE (née von Holst; [1] 12 April 1907 – 9 March 1984) was a British composer, arranger, conductor, teacher, musicologist, and festival administrator. . The only child of the composer Gustav Holst, she is particularly known for her educational work at Dartington Hall in the 1940s, and for her 20 years as joint artistic director of the Aldeburgh Festiv
The lists cover unpublished juvenilia from Holst's early teens to final works completed more than sixty years later. Title formats are those given in Christopher Tinker’s listing of works reprinted in the 2010 edition of ‘Imogen Holst: A Life in Music'.
The Lyric Movement for viola and small orchestra (H. 191) is a short (about 10 minutes) [1] concertante work by Gustav Holst. It was one of his last compositions, being written in 1933. It was one of his last compositions, being written in 1933.
The Fugal Concerto was composed while Holst was convalescing from a serious fall in which he had struck his head, and from a subsequent nervous breakdown. Having previously committed himself to conduct his own works at the University of Michigan, he embarked for America on the RMS Aquitania in April 1923, two months after the accident, and began a draft of what he called "The World's Shortest ...
Holst places the fourth folk song, "I'll Love My Love" [2] in stark contrast to the first movement. The movement begins with a chord from French horns and moves into a solo of clarinet with oboe over a flowing accompaniment in F Dorian. The solo is then repeated by trumpet, forming an arc of intensity.
Matthews also changed the ending of "Neptune" slightly so that the movement would lead directly into "Pluto". [60] Matthews dedicated the addition to the late Imogen Holst, Gustav Holst's daughter, who had been an acquaintance of his. The new movement was first performed in Manchester on 11 May 2000, with Kent Nagano conducting the Hallé ...
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One example is the third movement (Variations on a Ground), of Holst's Double Concerto for two violins and orchestra, Op. 49, where the 13th and 17th variations are in 7 4 time. [ 34 ] An example from after the Second World War is found in Part I of Leonard Bernstein 's The Age of Anxiety: Symphony No. 2 , a theme-and-variations movement in ...