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Aeschylus married and had two sons, Euphorion and Euaeon, both of whom became tragic poets. Euphorion won first prize in 431 BC in competition against both Sophocles and Euripides. [23] A nephew of Aeschylus, Philocles (his sister's son), was also a tragic poet, and won first prize in the competition against Sophocles' Oedipus Rex.
Euripides first competed in the City Dionysia, the famous Athenian dramatic festival, in 455 BC, one year after the death of Aeschylus; and did not win first prize until 441 BC. His final competition in Athens was in 408 BC. The Bacchae and Iphigenia in Aulis were performed in 405 BC, and first prize was awarded posthumously. He won first prize ...
Philoctetes was first performed at the City Dionysia in 431 BCE, in a tetralogy that also included the extant tragedy Medea, the lost tragedy Dictys and the lost satyr play Theristai. [8] [9] The tetralogy won third prize, finishing behind tetralogies by Euphorion (Aeschylus' son), who won first prize, and by Sophocles, who won second prize ...
When it was performed for the first time at the Lenaia Festival in 405 BC, just one year after the death of Euripides, the Athenians awarded it first prize. [45] It was the only Greek play that was ever given an encore performance, which took place two months later at the City Dionysia. [46] Even today, The Frogs still appeals to modern audiences.
Euphorion (Ancient Greek: Εὐφορίων, Euphoríōn, fl. 431 BC) was the son of the Greek tragedian Aeschylus, and himself an author of tragedies. [1] He is known solely for his victory over Sophocles and Euripides in the Dionysia of 431 BC.
The first, The Sack of Miletus (written in 493 BC, 21 years before Aeschylus' play), concerned the destruction of an Ionian colony of Athens in Asia Minor by the Persians. For his portrayal of this brutal defeat, which emphasized Athens' abandonment of its colony, Phrynichus was fined and a law passed forbidding subsequent performances of his ...
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[17] [h] When Aeschylus won first prize for it at the City Dionysia in 472 BC, he had been writing tragedies for more than 25 years, yet its tragic treatment of recent history is the earliest example of drama to survive. [18]