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A narrative motif can be created through the use of imagery, structural components, language, and other elements throughout literature. The flute in Arthur Miller 's play Death of a Salesman is a recurrent sound motif that conveys rural and idyllic notions.
Paraklausithyron (Ancient Greek: παρακλαυσίθυρον) is a motif in Greek and especially Augustan love elegy, as well as in troubadour poetry. The details of the Greek etymology are uncertain, but it is generally accepted to mean "lament beside a door", from παρακλαίω, "lament beside", and θύρα, "door". [1]
Some examples of topoi are the following: the locus amoenus (for example, the imaginary world of Arcadia) and the locus horridus (for example, Dante's Inferno); the idyll; cemetery poetry (see the Spoon River Anthology); love and death (in Greek, eros and thanatos), love as disease and love as death, (see the character of Dido in Virgil's Aeneid);
For example, referring to actions of the U.S. president as "actions of the White House". Antonomasia - A kind of metonymy in which an epithet or phrase takes the place of a proper name. Synecdoche – A literary device, related to metonymy and metaphor, which creates a play on words by referring to something with a related concept. For example ...
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The repetition of identical or similar sounds, usually accented vowel sounds and succeeding consonant sounds at the end of words, and often at the ends of lines of prose or poetry. [ 7 ] For example, in the following lines from a poem by A. E. Housman , the last words of both lines rhyme with each other.
The final verse of the Paul Simon song "Mrs. Robinson" uses the motif, asking, "Where have you gone, Joe DiMaggio?" Simon's later explication of the song's meaning is consistent with the "ubi sunt" motif. [22] Other examples from the American Folk Era are Pete Seeger's Where Have All the Flowers Gone, and Dick Holler's Abraham, Martin and John.
The Gothic double is a literary motif which refers to the divided personality of a character. Closely linked to the Doppelgänger, which first appeared in the 1796 novel Siebenkäs by Johann Paul Richter, the double figure emerged in Gothic literature in the late 18th century due to a resurgence of interest in mythology and folklore which explored notions of duality, such as the fetch in Irish ...