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"Won't Get Fooled Again" is a song by the English rock band the Who, written by guitarist and primary songwriter Pete Townshend. It was released as a single in June 1971, reaching the top 10 in the UK, while the full eight-and-a-half-minute version appears as the final track on the band's 1971 album Who's Next, released that August.
His scream near the end of "Won't Get Fooled Again" was a defining moment in rock and roll. [21] Daltrey onstage with Pete Townshend, 1976. By 1973, Daltrey was experiencing success with his solo projects and acting roles.
The lead single from the album, "Won't Get Fooled Again" (edited down to three and a half minutes), was released ahead of the album on 25 June 1971 in the UK and in July in the US; it reached #9 and #15 in the charts of the respective countries. [44] The album was released on 2 August in the US and on 27 August in the UK.
He refused to let Michael Moore use "Won't Get Fooled Again" in Fahrenheit 9/11 (2004), saying that he watched Bowling for Columbine (2002) and was not convinced. [159] In 1961 while in art school, Townshend joined the Young Communist League and was a prominent figure in their 1966 "Trend" recruitment campaign.
" The guitar riff at the end of the rock anthem section is also used after the bridge during the song "Won't Get Fooled Again", perhaps serving as a link between the two songs when both were intended to be parts of a single rock opera. Record World said that the band "slows the pace considerably until its break. Then the guys get down to some ...
The Who at Kilburn: 1977 is a film of two live performances by British rock band the Who released as a two-disc DVD set on 17 November 2008 by Image Entertainment.The first disc included the band's performance at the Gaumont State Cinema on 15 December 1977, while the second disc featured the band's performance at the London Coliseum on 14 December 1969.
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But in this case — in a song about a sick person's refusal to allow anyone to help them, a lonely person refusing to allow anyone to get close — the acoustic version has more bite. The rock version seems altogether more jolly, almost a throwaway. It will be interesting to see how it sounds when Roger and I get it into the studio together.