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Alphabet in Kurrent script from about 1865. The next-to-last line shows the umlauts ä, ö, ü, and the corresponding capital letters Ae, Oe, and Ue; and the last line shows the ligatures ch, ck, th, sch, sz (), and st. Danish Kurrent script (»gotisk skrift«) from about 1800 with Æ and Ø at the end of the alphabet Sample font table of German handwriting by Kaushik Carlini, 2021
A ukase written in the 17th-century Russian chancery cursive. The Russian (and Cyrillic in general) cursive was developed during the 18th century on the base of the earlier Cyrillic tachygraphic writing (ско́ропись, skoropis, "rapid or running script"), which in turn was the 14th–17th-century chancery hand of the earlier Cyrillic bookhand scripts (called ustav and poluustav).
Greek cursive script, 6th century CE. The Greek alphabet has had several cursive forms in the course of its development. In antiquity, a cursive form of handwriting was used in writing on papyrus. It employed slanted and partly connected letter forms as well as many ligatures. Some features of this handwriting were later adopted into Greek ...
Early Greek print, from a 1566 edition of Aristotle. The sample shows the -os ligature in the middle of the second line (in the word μέθοδος), the kai ligature below it in the third line, and the -ou-ligature right below that in the fourth line, along many others. 18th-century typeface sample by William Caslon, showing a greatly reduced set of ligatures (-ου-in "τοῦ", end of first ...
Persian; the 18th-century Persian translation of the Arabic Gospel is kept at the National Center of Manuscripts in Tbilisi. Armenian; in the Armenian community in Tbilisi, the Georgian script was occasionally used for writing Armenian in the 18th and 19th centuries, and some samples of this kind of texts are kept at the Georgian National ...
Later in the 17th and 18th centuries, English writing masters including George Bickham, George Shelley and Charles Snell helped to propagate Round Hand's popularity, so that by the mid-18th century the Round Hand style had spread across Europe and crossed the Atlantic to North America.
By 1618 the writing-master Martin Billingsley in his The Pen's Excellency, 1618, [2] distinguished three forms of secretary hand, as well as "mixed" hands that employed some Roman letterforms, and the specialised hands, the "court hand" used only in the courts of the King's Bench and Common Pleas and the archaic hands used for engrossing pipe ...
A modern sans-serif and four blackletter typefaces (left to right): Textur(a), Rotunda, Schwabacher and Fraktur.. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand.
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