Search results
Results from the WOW.Com Content Network
Subh-e-Azadi (lit.'Dawn of Independence' or 'Morning of freedom' [4]), also spelled Subh-e-Aazadi or written as Subh e Azadi, is an Urdu language poem by a Pakistani poet, Faiz Ahmed Faiz written in 1947. [5] [6] The poem is often noted for its prose style, marxist perspectives
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Nazm is a significant genre of Urdu and Sindhi poetry; the other one is known as ghazal. Nazm is significantly written by controlling one’s thoughts and feelings, which are constructively discussed as well as developed and finally, concluded, according to the poetic laws. The title of the nazm itself holds the central theme as a whole. While ...
Binary-code compatibility (binary compatible or object-code compatible) is a property of a computer system, meaning that it can run the same executable code, typically machine code for a general-purpose computer central processing unit (CPU), that another computer system can run.
"Dastur" (Urdu: دستور) is an Urdu nazm (poem) written by the Pakistani poet Habib Jalib. [1] This poem is also known as "Main Nahi Manta". [2] It comes under the resistance poem category because of its relevance and subject. It is written as a voice of protest to a law introduced by General Ayub Khan in 1962, in Pakistan. [3]
The Banjaranama (بنجارانامہ, बंजारानामा, Chronicle of the Nomad) is a satirical Urdu poem, written by the eighteenth-century Indian poet Nazeer Akbarabadi. [1] The poem's essential message is that pride in worldly success is foolish, because human circumstances can change in a flash, material wealth and splendor is ...
Bal-i-Jibril is regarded as the peak of Iqbal's Urdu poetry. It consists of ghazals , poems, quatrains , epigrams and advises the nurturing of the vision and intellect necessary to foster sincerity and firm belief in the heart of the ummah and turn its members into true believers.
Meeraji's literary output was immense but he published very little of his poetry during his lifetime. However, Khalid Hasan, in his article "Meera Sen's forgotten lover," [citation needed] records that during Meeraji's lifetime four collections of Meeraji's works were published by Shahid Ahmed Dehlavi, and one by Maktaba-e-Urdu, Lahore.