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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
The expression is pre-dated by an anecdote in the 1875 Our Bishops and Deans by the Reverend F. Arnold, referenced in an issue of The Academy: A Weekly Review of Literature, Science, and Art: "Without pledging our credence, we could afford a grin to the story of the 'young Levite' who at a bishop's breakfast-table, was so 'umble as to decline the replacement of a bad egg by a good one with a ...
The modern English word evil (Old English yfel) and its cognates such as the German Übel and Dutch euvel are widely considered to come from a Proto-Germanic reconstructed form of *ubilaz, comparable to the Hittite huwapp-ultimately from the Proto-Indo-European form *wap-and suffixed zero-grade form *up-elo-.
"Good Bad Books" is an essay by George Orwell first published in Tribune on 2 November 1945. After Orwell's death, the essay was republished in Shooting an Elephant and Other Essays (1950). The essay examines the lasting popularity of works not usually considered great literature.
What cannot be denied is the confounding nature with which the Dissoi Logoi conveys its message. For instance, in the very first chapter, the author states "some say that what is good and what is bad are two different things, others that they are the same thing..I myself side with the latter group", yet by the end of this chapter, it has changed "I am trying rather to point out that it is not ...
From 1840 to the late 1870s, Dark Romanticism dominated literature and art. The primary element employed was symbolism. They would symbolize man's bad side and "study human nature's difficulties." Artists sought to show how evil, rather than virtue, consumes people, and how individual acts lead to self-destruction. [7]
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Name Definition Example Setting as a form of symbolism or allegory: The setting is both the time and geographic location within a narrative or within a work of fiction; sometimes, storytellers use the setting as a way to represent deeper ideas, reflect characters' emotions, or encourage the audience to make certain connections that add complexity to how the story may be interpreted.