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Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
In fiction, a subplot or side story is a strand of the plot that is a supporting side story for any story or for the main plot. Subplots may connect to main plots, in either time and place or thematic significance.
The modern English word evil (Old English yfel) and its cognates such as the German Übel and Dutch euvel are widely considered to come from a Proto-Germanic reconstructed form of *ubilaz, comparable to the Hittite huwapp-ultimately from the Proto-Indo-European form *wap-and suffixed zero-grade form *up-elo-.
"Good Bad Books" is an essay by George Orwell first published in Tribune on 2 November 1945. After Orwell's death, the essay was republished in Shooting an Elephant and Other Essays (1950). The essay examines the lasting popularity of works not usually considered great literature.
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
The expression is pre-dated by an anecdote in the 1875 Our Bishops and Deans by the Reverend F. Arnold, referenced in an issue of The Academy: A Weekly Review of Literature, Science, and Art: "Without pledging our credence, we could afford a grin to the story of the 'young Levite' who at a bishop's breakfast-table, was so 'umble as to decline the replacement of a bad egg by a good one with a ...
In many Hollywood Westerns, bad cowboys wear black hats while the good ones wear white. Melodrama villains are dressed in black and heroines in white dresses. This can be reversed as a deliberate play on conventions, by having the evil character dress in white, as a symbol of their hypocrisy or arrogance.
From 1840 to the late 1870s, Dark Romanticism dominated literature and art. The primary element employed was symbolism. They would symbolize man's bad side and "study human nature's difficulties." Artists sought to show how evil, rather than virtue, consumes people, and how individual acts lead to self-destruction. [7]