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In the same key the chorus continues with a fugue "And with His stripes we are healed". The theme begins with a sequence of five long notes, which Mozart quoted in the Kyrie-fugue of his Requiem. The characteristic ascending fourth opens the countersubject. The word "healed" is later stressed by both long melismas and long notes.
5) But He was wounded for our transgressions; He was bruised for our iniquities. The chastisement of our peace was upon Him, and with His stripes we are healed. 6) All we like sheep have gone astray; we have turned every one to his own way; and the Lord hath laid on Him the iniquity of us all. [2]
The name "Stryper" derives from Isaiah 53:5, from the King James Version of the Bible. [2] " But he was wounded for our transgressions, he was bruised for our iniquities: the chastisement of our peace was upon him; and with his stripes we are healed."
And with his stripes we are healed (fugue chorus) All we like sheep have gone astray (duet chorus) All they that see him laugh him to scorn (secco recitative for tenor) He trusted in God that he would deliver him (fugue chorus) Thy rebuke hath broken his heart (tenor or soprano) Behold and see if there be any sorrow (tenor or soprano)
Because Isaiah speaks in the present tense ("we are healed"), Word of Faith teaches that believers should accept the reality of a healing that is already theirs, first by understanding that physical healing is part of the New Testament's promise of salvation. It is reinforced by confessing the Bible verses which assert this healing and ...
Surely he has borne our griefs and carried our sorrows; yet we esteemed him stricken, smitten by God, and afflicted. But he was wounded for our transgressions, he was bruised for our iniquities; upon him was the chastisement that made us whole, and with his stripes we are healed" ( 53:2–5 ).
Each color, pattern, and design has its own specific meaning: for instance, the Philly Pride flag has two extra stripes, one black and one brown, to highlight people of color in the LGBTQ+ community.
At the time of its release, music critics commented on the choir's "great romantic choral tone, deep with feeling that is able to communicate the inner meaning of the world's great choral music." Paul Hume, music critic for the Washington Post, wrote that "this sound of the Mormon Tabernacle Choir has been a special beacon for those who love ...