Search results
Results from the WOW.Com Content Network
The width of the reed sets the maximum width of the warp. [4] Common reed sizes for the hand-weaver are 6, 8, 10, 12, or 15 dents per inch, although sizes between 5 and 24 are not uncommon. [9] A reed with a larger number of dents per inch is generally used to weave finer fabric with a larger number of ends per inch. Because it is used to beat ...
Some of the names of tukutuku patterns are: [3] poutama – a stepped pattern, said to represent whakapapa, learning and the ascent of the god Tāne-o-te-wānanga into the heavens to attain superior knowledge and religion. [8] [9] roimata toroa – meaning "albatross tears", formed with vertical stitches and said to represent misfortune and ...
The traditional weaving material is muka, fibre prepared from the New Zealand flax (Phormium tenax) by scraping, pounding and washing. The muka fibre was dyed using natural dyes . There has been a resurgence of tāniko and other Māori cultural practices starting in the 1950s and as part of the broader Māori Renaissance .
Arrowhead weave. The most basic weave is called a diagonal weave, as it creates a series of parallel lines running down the length of the weave at a diagonal. Whether one weaves from left to right or from right to left does not matter, as the pattern is the same; however, the direction must stay the same or the pattern will change.
This Halloween 2024, use these printable pumpkin stencils and free, easy carving patterns for the scariest, silliest, most unique, and cutest jack-o’-lanterns.
Madurkathi mats, or madur, are mats woven in West Bengal from a reed called madur kottir, or madurkathi, a sedge of the family Cyperaceae. Madur mat-making is a long-standing tradition, centred on the Medinipur district, and is an important part of the rural economy.
For a plain weave on a loom with two shafts, for example, the first thread would go through the first heddle on the first shaft, and then the next thread through the first heddle on the second shaft. The third warp thread would be threaded through the second heddle on the first shaft, and so on.
In Japan, a traditional reed mat is the tatami (畳). Tatami are covered with a weft-faced weave of soft rush ( 藺草 , igusa ) ( common rush ), on a warp of hemp or weaker cotton. There are four warps per weft shed , two at each end (or sometimes two per shed, one at each end, to cut costs).