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  2. 7 Simple & Savvy Solutions for Displaying Art in Your Home

    www.aol.com/lifestyle/7-simple-savvy-solutions...

    Idea #4: Art in Unexpected Places. Displaying art in unexpected places, such as bathrooms, kitchens, or hallways, can add a unique touch to your home.

  3. Pedestal - Wikipedia

    en.wikipedia.org/wiki/Pedestal

    It is the normal pedestal for divine figures in Buddhist art and Hindu art, and often seen in Jain art. Originating in Indian art, it followed Indian religions to East Asia in particular. In imperial China, a stone tortoise called bixi was traditionally used as the pedestal for important stele, especially those associated with emperors. [2]

  4. Nicho - Wikipedia

    en.wikipedia.org/wiki/Nicho

    Nicho art originated as a popular adaptation of the Roman Catholic retablo tradition of painting patron saints on wood or tin. Unlike the large, flat panels of retablo, nichos are small and built in shadow box style. Within the box there is a key object or central figure for whose honor or memory the nicho has been created.

  5. Richard Coeur de Lion (statue) - Wikipedia

    en.wikipedia.org/wiki/Richard_Coeur_de_Lion_(statue)

    The statue was created by Baron Carlo Marochetti and is located in Old Palace Yard outside the Palace of Westminster, opposite Westminster Abbey in London. [1] With its pedestal, it stands 9 metres (30 ft) high, showing King Richard I on horseback.

  6. Display stand - Wikipedia

    en.wikipedia.org/wiki/Display_stand

    From a functional perspective, a display should focus on the consumer's wish to purchase goods and should grab the attention, interest, desire, memory, and a series of mental activities. In addition to color, text, graphics, and other elements of interior design , the display stand embodies the use of POP advertising functions.

  7. Installation art - Wikipedia

    en.wikipedia.org/wiki/Installation_art

    In "Art and Objecthood", Michael Fried derisively labels art that acknowledges the viewer as "theatrical" (Fried 45). There is a strong parallel between installation and theater: both play to a viewer who is expected to be at once immersed in the sensory / narrative experience that surrounds him and maintain a degree of self-identity as a viewer.

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