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The term was developed by Michel Foucault in his 1969 essay "What Is an Author?" where he discusses whether a text requires or is assigned an author. [1] Foucault posits that the legal system was central in the rise of the author, as an author was needed (in order to be punished) for making transgressive statements.
Foucault also gave a lecture responding to Roland Barthes' famous essay "The Death of the Author" titled "What Is an Author?" in 1969, later published in full. [192] According to literary theoretician Kornelije Kvas, for Foucault, "denying the existence of a historical author on account of his/her irrelevance for interpretation is absurd, for ...
The Author is a certain functional principle by which, in our culture, one limits, excludes and chooses: ... The author is therefore the ideological figure by which one marks the manner in which we fear the proliferation of meaning. For many, Foucault's lecture responds to Roland Barthes' essay "The Death of the Author".
Author: it should not be understood as the individual who produces the speech, but rather as a "discourse grouping principle", a section of that individual. It is through the role of the author that the individual will distinguish what to write or not, what will go into his work within everything he says every day.
[10] Foucault's author function is the idea that an author exists only as a function of a written work, a part of its structure, but not necessarily part of the interpretive process. The author's name "indicates the status of the discourse within a society and culture," and at one time was used as an anchor for interpreting a text, a practice ...
Foucault's introduction to the epistemic origins of the human sciences is a forensic analysis of the painting Las Meninas (The Ladies-in-waiting, 1656), by Diego Velázquez, as an objet d'art. [6] For the detailed descriptions, Foucault uses language that is "neither prescribed by, nor filtered through the various texts of art-historical ...
The Archaeology of Knowledge (L’archéologie du savoir, 1969) by Michel Foucault is a treatise about the methodology and historiography of the systems of thought (epistemes) and of knowledge (discursive formations) which follow rules that operate beneath the consciousness of the subject individuals, and which define a conceptual system of possibility that determines the boundaries of ...
Biopower (or biopouvoir in French), coined by French social theorist Michel Foucault, [1] refers to various means by which modern nation states control their populations.In Foucault's work, it has been used to refer to practices of public health, regulation of heredity, and risk regulation, among many other regulatory mechanisms often linked less directly with literal physical health.