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Jorge is the Spanish and Portuguese form of the given name George. While spelled alike, this name is pronounced very differently in each of the two languages: Spanish [ˈxoɾxe] ; Portuguese [ˈʒɔɾʒɨ] .
Jorge Luis Borges wrote, "As most of my people had been soldiers and I knew I would never be, I felt ashamed, quite early, to be a bookish kind of person and not a man of action." [11] Jorge Luis Borges was taught at home until the age of 11 and was bilingual in Spanish and English, reading Shakespeare in the latter at the age of twelve. [11]
The Book of Fantasy is the English translation of Antología de la literatura fantástica, an anthology of approximately 81 fantastic short stories, fragments, excerpts, and poems edited by Jorge Luis Borges, Adolfo Bioy Casares, and Silvina Ocampo.
Byron was a prolific writer, for whom "the composition of his great poem, Don Juan, was coextensive with a major part of his poetical life"; he wrote the first canto while resident in Italy in 1818, and the 17th canto in early 1823. [3] Canto I was written between July and September 1818, and canto II was written from December 1818 to January 1819.
This was likely done because the anthology was sold as being written by women, for women—and consequently, a poem written by a man would not have appealed to female readers. One of the most spread Spanish versions wrongly attributed to Borges starts with the following verses:
"The Book of Sand" (Spanish: El libro de arena) is a 1975 short story by Argentine writer Jorge Luis Borges about the discovery of a book with infinite pages. It has parallels to the same author's 1949 story " The Zahir " (revised in 1974), continuing the theme of self-reference and attempting to abandon the terribly infinite, and to his 1941 ...
The first paragraph in "The South" mentions Martín Fierro, a character from "The End", another one of Borges' short stories in the same collection. It also may refer to José Hernández's poem "Martín Fierro", which Borges was an admirer of. "The South" inspired and is referenced in the short story "The Insufferable Gaucho" [4] by Roberto ...
"El Golem" is a poem by Jorge Luis Borges, published in 1959, and later published as part of the 1964 book El otro, el mismo (The other, the self). The poem tells the story of Judah Loew and his creation of the Golem. In the poem, Borges quotes the works of German Jewish philosopher Gershom Scholem and Cratylus by Plato.